...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Trzecia duża płyta weteranów z Teksasu!
Nieustający, czysty brutalny death metal zagrany z ogromną precyzją.



..::TRACK-LIST::..

1. Euthanized 04:11
2. Beyond Barriers 04:44
3. Internal Inferno 04:11
4. Marred Souls 05:47
5. Ambivalent Reflections 04:26
6. Ascension to Nowhere 01:28
7. Immune to Immorality 03:03
8. Marching over Blood / Samurai (Attomica cover) 04:28
9. Hum-unkind 04:46



..::OBSADA::..

Jaime Perez - Drums
Abel Barrera - Bass
Mike Mena - Vocals
Joe Dan De La Rosa - Guitars



https://www.youtube.com/watch?v=Er-ZERb1pKs


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Trzecia duża płyta weteranów z Teksasu!
Nieustający, czysty brutalny death metal zagrany z ogromną precyzją.



..::TRACK-LIST::..

1. Euthanized 04:11
2. Beyond Barriers 04:44
3. Internal Inferno 04:11
4. Marred Souls 05:47
5. Ambivalent Reflections 04:26
6. Ascension to Nowhere 01:28
7. Immune to Immorality 03:03
8. Marching over Blood / Samurai (Attomica cover) 04:28
9. Hum-unkind 04:46



..::OBSADA::..

Jaime Perez - Drums
Abel Barrera - Bass
Mike Mena - Vocals
Joe Dan De La Rosa - Guitars



https://www.youtube.com/watch?v=Er-ZERb1pKs


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Inverted Matter is a death metal entity born as an evolution of Inverted, a band born in 2007 in the upper Treviso area, in North-eastern Italy. At the end of 2015, parting ways with Alessandro and Enrico Scriminich (guitarist and drummer who went on to form black metal band Gorrch), former Suffocation drummer Mike Smith was recruited to write a new album. At the beginning of 2016 the lineup was completed with the addition of Jason Nealy (Bleeding Eyes) as guitarist and Leonardo “Livio” Langaro (Kani) as studio bassist.

Harbinger is a concept album which focuses entirely on the oldest arthropod ever to exist on Earth, the trilobite. The eight songs Inverted Matter crafted deal with a scientific research that goes from the still unknown origins of the species to their extinction, in a mix of old school and progressive death metal influences.



..::TRACK-LIST::..

1. RAD 04:22
2. Scenario 04:48
3. Limulus Amebocite Lysate 03:37
4. Enrollment 03:07
5. Hopeless 03:53
6. Ecdisys 05:26
7. Void 03:19
8. P-Tr 05:21



..::OBSADA::..

Vocals - Paolo 'Crawl' Forner
Bass - Francesco 'Ba' Barioli
Drums - Marco 'Bestia' Dal Pastro
Guitar - Andrea 'Grind' Tocchetto, Jason 'J' Nealy




https://www.youtube.com/watch?v=Hgl7lYWJRpc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Inverted Matter is a death metal entity born as an evolution of Inverted, a band born in 2007 in the upper Treviso area, in North-eastern Italy. At the end of 2015, parting ways with Alessandro and Enrico Scriminich (guitarist and drummer who went on to form black metal band Gorrch), former Suffocation drummer Mike Smith was recruited to write a new album. At the beginning of 2016 the lineup was completed with the addition of Jason Nealy (Bleeding Eyes) as guitarist and Leonardo “Livio” Langaro (Kani) as studio bassist.

Harbinger is a concept album which focuses entirely on the oldest arthropod ever to exist on Earth, the trilobite. The eight songs Inverted Matter crafted deal with a scientific research that goes from the still unknown origins of the species to their extinction, in a mix of old school and progressive death metal influences.



..::TRACK-LIST::..

1. RAD 04:22
2. Scenario 04:48
3. Limulus Amebocite Lysate 03:37
4. Enrollment 03:07
5. Hopeless 03:53
6. Ecdisys 05:26
7. Void 03:19
8. P-Tr 05:21



..::OBSADA::..

Vocals Paolo 'Crawl' Forner
Bass - Francesco 'Ba' Barioli
Drums - Marco 'Bestia' Dal Pastro
Guitar - Andrea 'Grind' Tocchetto, Jason 'J' Nealy




https://www.youtube.com/watch?v=Hgl7lYWJRpc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Zabójczo brutalny atak, nieustannie mający na celu dostarczenie słuchaczowi solidnego wpierdolu!!!

FA

THE 2017 STUDIO OPUS OF BRUTAL & MERCILESS DEATH METAL FROM THE US MASTERS

Morta Skuld formed in Milwaukee in 1990, going on to release three albums on Peaceville Records (initially via legendary sub-label Deaf Records) in the early-mid 90's, with the band’s debut - the now classic Dying Remains - seeing its release in 1993. Reuniting once more with Peaceville Records, 2017 saw the comeback album from the reinvigorated US death metal maestros, with their first full-length release since the Surface album in 1997.

Wounds Deeper than Time presents Morta Skuld’s finely honed mix of power and brutality with a foot firmly planted in the old school. A pummelling union of twisted melody and crushing riffs, Wounds Deeper than Time was recorded mixed and mastered at Mercenary studios by Scott Creekmore (Putrid Pile, Broken Hope, No Zodiac, Waco Jesus, Bloodline, Lividity) & produced by the band themselves. Cover art comes courtesy of Patrick Kachellek, who created the cover for the band’s comeback EP, Serving Two Masters in 2014. Joining longstanding member and founder David Gregor (Guitar/vocals) is Scott Willecke (Guitar), AJ Lewandowski (bass) & Eric House (drums).

Morta Skuld have played numerous high profile shows over the years with the likes of Obituary, Death, Deicide, Napalm Death, Fear Factory, and Cannibal Corpse.




Finally coming back into the fold, Wisconsin death metallers Morta Skuld have been toiling away in the underground ever since the beginning of their career and especially once they reformed several years back for a nice reunion that’s still on-going. With a new lineup with second guitarist Scott Willecke and bassist AJ joining the fold, the groups’ first post-comeback and fourth full-length overall effort was released February 17, 2017 on Peaceville Records.

Despite the long layoff, it’s quite clear the band hasn’t lost their step at all as there’s plenty of life left for the group to explore based on this one. Pumping out such classic-sounding material filled with plenty of charging mid-tempo riffing and pummeling rhythms that keeps the material tight, intense and straightforward much in the same way that they usually offered in the past, making for a slew of crunchy, highly-impressive efforts. Due to the chaotic nature of these efforts, there’s plenty to work with here once this manages to get the majority of the albums’ running time with these rhythms, so when it changes over into it’s more mid-tempo elements there’s a natural balance between the ravenous, crunchy patterns and more mid-tempo, straightforward work that still slogs through the same general intensity and savageness which is what makes for the more cohesive and engaging type of work throughout here. As this is all quite common and expected with the band, that they’re able to reproduce this type of influence and clarity in this day and age makes for quite an impactful time here as this one keeps their old-school tone intact here with a great deal of their changing tones that was quite apparent throughout their catalog. While that’s all good, there’s a decidedly more modern feel and tone in the production that sounds way too clean and processed for such an old-school vibe from the arrangements of the tracks, and that does stick out throughout here quite apparently rather than the murky old-school feel. Still, that’s the only thing really wrong here.

Filled with a lot of great moments and a few minor flaws with the more modernized sound, the fact remains that there’s quite a lot of highly-enjoyable work to be found here as the guys come back into the fold with a dynamic effort that will greatly please fans of their past work or old-school death in general.

slayrrr666



..::TRACK-LIST::..

1. Breathe In The Black 05:04
2. Hating Life 03:52
3. My Weakness 04:03
4. Against The Origin 04:08
5. In Judgment 04:46
6. Wounds Deeper Than Time 05:30
7. Scars Within 04:34
8. Devour The Chaos 04:19
9. Becoming One Flesh 06:06



..::OBSADA::..

Scott Willecke - Guitars
Dave Gregor - Guitars, Vocals
Eric House - Drums
AJ Lewandowski - Bass




https://www.youtube.com/watch?v=tAzDEppWsxg



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Zabójczo brutalny atak, nieustannie mający na celu dostarczenie słuchaczowi solidnego wpierdolu!!!

FA

THE 2017 STUDIO OPUS OF BRUTAL & MERCILESS DEATH METAL FROM THE US MASTERS

Morta Skuld formed in Milwaukee in 1990, going on to release three albums on Peaceville Records (initially via legendary sub-label Deaf Records) in the early-mid 90's, with the band’s debut - the now classic Dying Remains - seeing its release in 1993. Reuniting once more with Peaceville Records, 2017 saw the comeback album from the reinvigorated US death metal maestros, with their first full-length release since the Surface album in 1997.

Wounds Deeper than Time presents Morta Skuld’s finely honed mix of power and brutality with a foot firmly planted in the old school. A pummelling union of twisted melody and crushing riffs, Wounds Deeper than Time was recorded mixed and mastered at Mercenary studios by Scott Creekmore (Putrid Pile, Broken Hope, No Zodiac, Waco Jesus, Bloodline, Lividity) & produced by the band themselves. Cover art comes courtesy of Patrick Kachellek, who created the cover for the band’s comeback EP, Serving Two Masters in 2014. Joining longstanding member and founder David Gregor (Guitar/vocals) is Scott Willecke (Guitar), AJ Lewandowski (bass) & Eric House (drums).

Morta Skuld have played numerous high profile shows over the years with the likes of Obituary, Death, Deicide, Napalm Death, Fear Factory, and Cannibal Corpse.




Finally coming back into the fold, Wisconsin death metallers Morta Skuld have been toiling away in the underground ever since the beginning of their career and especially once they reformed several years back for a nice reunion that’s still on-going. With a new lineup with second guitarist Scott Willecke and bassist AJ joining the fold, the groups’ first post-comeback and fourth full-length overall effort was released February 17, 2017 on Peaceville Records.

Despite the long layoff, it’s quite clear the band hasn’t lost their step at all as there’s plenty of life left for the group to explore based on this one. Pumping out such classic-sounding material filled with plenty of charging mid-tempo riffing and pummeling rhythms that keeps the material tight, intense and straightforward much in the same way that they usually offered in the past, making for a slew of crunchy, highly-impressive efforts. Due to the chaotic nature of these efforts, there’s plenty to work with here once this manages to get the majority of the albums’ running time with these rhythms, so when it changes over into it’s more mid-tempo elements there’s a natural balance between the ravenous, crunchy patterns and more mid-tempo, straightforward work that still slogs through the same general intensity and savageness which is what makes for the more cohesive and engaging type of work throughout here. As this is all quite common and expected with the band, that they’re able to reproduce this type of influence and clarity in this day and age makes for quite an impactful time here as this one keeps their old-school tone intact here with a great deal of their changing tones that was quite apparent throughout their catalog. While that’s all good, there’s a decidedly more modern feel and tone in the production that sounds way too clean and processed for such an old-school vibe from the arrangements of the tracks, and that does stick out throughout here quite apparently rather than the murky old-school feel. Still, that’s the only thing really wrong here.

Filled with a lot of great moments and a few minor flaws with the more modernized sound, the fact remains that there’s quite a lot of highly-enjoyable work to be found here as the guys come back into the fold with a dynamic effort that will greatly please fans of their past work or old-school death in general.

slayrrr666



..::TRACK-LIST::..

1. Breathe In The Black 05:04
2. Hating Life 03:52
3. My Weakness 04:03
4. Against The Origin 04:08
5. In Judgment 04:46
6. Wounds Deeper Than Time 05:30
7. Scars Within 04:34
8. Devour The Chaos 04:19
9. Becoming One Flesh 06:06



..::OBSADA::..

Scott Willecke - Guitars
Dave Gregor - Guitars, Vocals
Eric House - Drums
AJ Lewandowski - Bass




https://www.youtube.com/watch?v=tAzDEppWsxg



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Zabija tak jak ponad trzy dekady temu!!!
'Cause of Death' to nie tylko punkt zwrotny w karierze Obituary, ale także jedna z płyt, które wyznaczyły standardy jakości w death metalu. Scott Burns, który odpowiadał za produkcję, uchwycił esencję twórczości zespołu, tworząc materiał pełen głębi i brutalności, jednocześnie kładąc szczególny nacisk na przejrzystość i jakość brzmienia.
Atmosfera i techniczne mistrzostwo tego albumu sprawiają, że pozostaje on jednym z najważniejszych krążków w historii gatunku.



The first Obituary album I got was Xecutioner's Return, which I am pretty sure was my first death metal album as well. I liked that so much I decided to by the Two From The Vault: Slowly We Rot/Cause of Death. Slowly We Rot is a good albums and I probably prefer it to Xecutioner's Return but Cause of Death is just amazing. It's easily my favourite release by Obituary.

The thing I like about Obituary when you compare them to some other death metal bands is that they understand that being brutal is not always about speed. There are some cool fast parts on this album but there are also slow parts which are just as brutal. As well as that each member of the band is great on their instruments.

The guitars are great. There are some great, aggressive riffs which will stick in your head for a long time afterwards and the solos are also great. James Murphy is a great guitarist and I think it’s probably his influence that makes this album my favourite. The songs are longer than on Slowly We Rot and most of them are definitely more technical, although they still retain the brutality of the debut. The drums are excellent whether they are playing speedy machine gun rhythms or cool slower ones. After listening to this album I found myself with the drum beats in my head for days afterwards. Finally, the vocals. John Tardy is one amazing growler/screamer. He barely sounds human on this album. If you listen carefully you can just understand the sickening lyrics which fit excellently, I mean, come on "Chopped in Half, Feel the blood spill from your mouth", you don't get much better than that in death metal.

It's hard for me to say the best songs from the album because they are all so good. I like all of them but some more than others. Infected, Body Bag, Chopped in Half, Memories Remain and Turned Inside Out are probably my favourite songs. Circle of the Tyrants is good; I haven't heard the original so I don't no how it compares though. The other songs, Dying, Find the Arise and the title track are all good death metal songs but the ones I mentioned before really stick out.

Obituary is one of my favourite bands and this is my favourite releases by them. This album is essential death metal listening and any fan of Obituary or death metal in general who doesn’t have this album should go out and buy it today, or be shot.

DarkSurgeon


Looking to hear some exploding, mind-boggling, ear-piercing, highly original and unable-to-top kind of death metal? Well, "Cause of Death" was created and reflects that kind of vibe within itself. It is so traumatizing, especially the vocals by John Tardy - talk about the sound of death!!! Well, it's a great line up, especially with who's hitting the lead guitar work, but nonetheless the immortal James Murphy. Clocking in some brutal, distorted rhythm work with chords galore and speeds slow, but daunting, Trevor Peres is in charge. Donald Tardy hits behind the set with precision and mortification.

An album ahead of its time, a time when the Floridian death metal scene was reaching its highest. Obituary makes a mark in the scene so high and with utmost originality as well as a sort of "best 'of" compilation of songs that can only be replicated by the band. While to me it does sound like a compilation album, but really is a full-length brutal release that features guitar chords chunky and thick with an atmospheric death rattle to it. James Murphy raids the lead department and yet again sparks with utter intensity, featuring leads that are fully compliant on the fretboard the same way he hit "Spiritual Healing" by Death.

Musicianship is at its highest with John Tardy spewing forth death, gore, etc. type of lyrics, rhythms that are marked well with that intensity, leads fitting the atmosphere perfectly, and a production perfected by Scott Burns. He seemed to top death metal recorders in the production department at the time where these original sounding death metal bands were producing sounds that are so captivating and skull-wrenching. The overall aura on here was not only the vocals, rhythms, leads and drums, but the whole atmosphere featuring the most deathly sounding music ever put forth onto the scene.

Yes, they did have many competitors playing death metal, such as bands like Death, Pestilence, Cannibal Corpse, et al, and yet at that time they seemed to be among the great musicians playing this kind of metal. However, lyrical concepts are what they are on here and it suits the music. That thick, grinding, choppy, and tremolo-picked rhythms were well thought out and James Murphy rips out that talent that he bestowed on lead guitar. Such a great musician that has succumbed to the possibly life threatening brain cancer the same way that Chuck Schuldiner did. Murphy seems to be in pretty bad shape nowadays and hopefully the Sweet Relief Foundation will find funds to save him.

Get the remastered edition of "Cause of Death" for it features bonus demo tracks and an augmented, atmospheric, and damn bloody good cast of musicians with one of the top producer at the time. The music, the band, the era, and the augmented scene of deathly dying of metal is depicted. This album to me remains among the top albums in the genre of death metal ever recorded. It is my view at least, having been into death metal for over 23 years. Trust me, I know as picky as I am with albums that this one is top notch. If you choose to own it, get it ASAP because of its utter brain-wrenching death metal that's ever been heard. Obituary's finest here on this recording.

Orbitball


This is my favorite Obituary album (though I do not own their latest release, "Darkest Day", so I can't speak for it!) The reasoning here is simple: with "Cause of Death", Obituary reached something deep within the soul. The band had already released a masterpiece, with the awesome "Slowly We Rot" foreshadowing a great career playing death metal and releasing great albums in the future, but with this album, things were different. The distinctive guitar player, Allen West, who is known for his bluesy soloing, and more "laid back" approach when compared to other death metal guitar players of the day, such as Trey Azagthoth or the Hoffman brothers, was replaced by guitar virtuoso James Murphy. Okay, virtuoso is probably pushing it, but the guy is a damn good guitar player. His style was completely different from what people would have been used to with Allen West in this position, completely ditching West's bluesy, atmospheric approach, in favor of something which valued substance over style. By this, I mean that West prominently made use of whammy bar and other such "stylistic" trademarks which helped craft a greater sense of imagery upon the band's music, while Murphy took on a more melodic and technical, yet extremely emotional (in my eyes, at least) approach that has the ability to make the listener fall to his or her knees, in tears, marveling at the sheer beauty. That is hyperbole, but rest assured, the solos on this album rock.

Look no further than the album's title track, "Cause of Death" (which also happens to feature some of the best lyrics ever penned by vocalist John Tardy), for a wild ride! The song's introduction possesses one of the most memorable and soul-shattering solos on the entire album, and it alone does wonders to justify why this album is so awesome in the first place. However, that's far from all this album has to offer. Why, the album's opening track, "Infected", makes use of an extremely moody, very unsettling solo before the track even gets going with the main riff, to great effect. In fact, "great effect" is probably a really good way to describe this album. Just about everything here is in tip-top shape. Donald Tardy's drum kit sounds better than ever, with his snare tone in particular shining as one of the production's most stellar aspects, and rhythm guitarist Trevor Peres not only nails us with some of the most powerful and brutal riffs of his career (2:57 in "Chopped in Half", for instance), but the riffs are perfectly represented within his extremely crunchy, almost chainsaw-esque guitar tone (it's still not quite the same tone as one would find on a Dismember album, though!). The bass guitar of Frank Watkins (another new-comer to the band, at this time), is easily recognizable, sitting beneath the more obvious sections of the band's music, and supplying backing brutality beneath the sawing guitar riffs. He's not a bassist of flair, but he gets the job done!

Back to talking of riffs and guitars, Trevor Peres also delivers some amazing riffs here (as previously stated). "Body Bag" opens with one of the catchiest and most memorable riffs on the album, and the riff at 0:33 in "Memories Remain" still haunts my dreams (accompanied by the ever so subtle "LIEF GAOS ANNN...EVEAN AFTA... DEAFFFTHH" line from John Tardy), and in all honesty, the overall approach that he takes to his playing is enough to cement him as one of the riff-masters of the genre. Unlike many, there is very little "showing off" to be seen, and you won't hear anything in these riffs that doesn't need to be there, and does not help advance the song further. Even his rhythm riffs which churn below the unreal shredding of James Murphy, and are often comprised of only two or three chords, are capable of sticking to the mind even when a melodic solo is shredding above (Gavin Ward of Bolt Thrower is another guitarist who deserves credit for doing this, as well).

And the final member who needs to be discussed is the man himself: vocalist John Tardy. This guy is my personal favorite vocalist in all of death metal, and with "Cause of Death", he proves why. If he sounded insane on "Slowly We Rot" (and he did), then he doesn't even sound human on this album. The sheer terror in the man's voice is simply unbelievable, but what's more, is his presence within the music. By this, I mean that it took me years to realize that there are actually only one or two lines of lyrics growled in the entirety of "Chopped in Half". To have such a strong presence, that the listener doesn't even notice when you stop singing, is something truly remarkable. He simply sounds like a beast which has been unleashed from it's cage! Of course, Tardy's vocal performance is one of the few aspects of Obituary's music which has never waned in any noticeable way, even 20 years on, so this should hardly come as a surprise to anybody who was already familiar with the band.

Another unique aspect of his vocal performance with this album, is his use of backing vocal tracks. I once heard King Diamond claim that there was "alot going on" vocally on the "Don't Break the Oath" album from Mercyful Fate, and I think this description probably fits this album pretty well too (though to a much lesser extent!). It's a rather hard thing to explain, though. When you listen to some of the songs on this album, for example the album opener, "Infected" (which is where the "backing vocal" tracks are probably at their most prominent), you will hear a main vocal track of John Tardy growling along, while a side track sticks in a few words here and there. At other moments, such as the breakdown of "Body Bag" (which occurs at about 2:19), you will hear a backing track supply terrifying screams below Tardy's already maddening death grunt. This particular method of "double tracking" doesn't appear to be very common these days, where bands choose instead to copy the Deicide method (and if you don't know what that is, listen to any Deicide song from the "Scars of the Crucifix" album!), which I think is rather sad. Like I said earlier, this helps enhance the presence of Tardy's voice, giving the listener the impression that they are in a room filled with demonic, grunting entities (which is much more brutal than having two different styles repeat the same line...), or perhaps they are hearing sadistic voices in their heads, taunting them and urging them to kill? In either case, the vocals of John Tardy are clearly great on this album, and do wonders to enhance the atmosphere into something far beyond anything the band ever had done or ever would do.

There is so much more to talk about with this album, but in the end, I shouldn't need to explain further. If you don't already own this album, and are considering buying it...go ahead and do it, you won't regret it.

enigmatech



..::TRACK-LIST::..

1. Infected
2. Body Bag
3. Chopped In Half
4. Circle Of The Tyrants
5. Dying
6. Find The Arise
7. Cause of Death
8. Memories Remain
9. Turned Inside Out

Bonus Tracks:
10. Infected (demo)
11. Memories Remain (demo)
12. Chopped In Half (demo)



..::OBSADA::..

John Tardy - vocals
James Murphy - lead guitar
Trevor Peres - rhythm guitar
Frank Watkins - bass
Donald Tardy - drums




https://www.youtube.com/watch?v=EYxd8WxQIsU


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Zabija tak jak ponad trzy dekady temu!!!
'Cause of Death' to nie tylko punkt zwrotny w karierze Obituary, ale także jedna z płyt, które wyznaczyły standardy jakości w death metalu. Scott Burns, który odpowiadał za produkcję, uchwycił esencję twórczości zespołu, tworząc materiał pełen głębi i brutalności, jednocześnie kładąc szczególny nacisk na przejrzystość i jakość brzmienia.
Atmosfera i techniczne mistrzostwo tego albumu sprawiają, że pozostaje on jednym z najważniejszych krążków w historii gatunku.



The first Obituary album I got was Xecutioner's Return, which I am pretty sure was my first death metal album as well. I liked that so much I decided to by the Two From The Vault: Slowly We Rot/Cause of Death. Slowly We Rot is a good albums and I probably prefer it to Xecutioner's Return but Cause of Death is just amazing. It's easily my favourite release by Obituary.

The thing I like about Obituary when you compare them to some other death metal bands is that they understand that being brutal is not always about speed. There are some cool fast parts on this album but there are also slow parts which are just as brutal. As well as that each member of the band is great on their instruments.

The guitars are great. There are some great, aggressive riffs which will stick in your head for a long time afterwards and the solos are also great. James Murphy is a great guitarist and I think it’s probably his influence that makes this album my favourite. The songs are longer than on Slowly We Rot and most of them are definitely more technical, although they still retain the brutality of the debut. The drums are excellent whether they are playing speedy machine gun rhythms or cool slower ones. After listening to this album I found myself with the drum beats in my head for days afterwards. Finally, the vocals. John Tardy is one amazing growler/screamer. He barely sounds human on this album. If you listen carefully you can just understand the sickening lyrics which fit excellently, I mean, come on "Chopped in Half, Feel the blood spill from your mouth", you don't get much better than that in death metal.

It's hard for me to say the best songs from the album because they are all so good. I like all of them but some more than others. Infected, Body Bag, Chopped in Half, Memories Remain and Turned Inside Out are probably my favourite songs. Circle of the Tyrants is good; I haven't heard the original so I don't no how it compares though. The other songs, Dying, Find the Arise and the title track are all good death metal songs but the ones I mentioned before really stick out.

Obituary is one of my favourite bands and this is my favourite releases by them. This album is essential death metal listening and any fan of Obituary or death metal in general who doesn’t have this album should go out and buy it today, or be shot.

DarkSurgeon


Looking to hear some exploding, mind-boggling, ear-piercing, highly original and unable-to-top kind of death metal? Well, "Cause of Death" was created and reflects that kind of vibe within itself. It is so traumatizing, especially the vocals by John Tardy - talk about the sound of death!!! Well, it's a great line up, especially with who's hitting the lead guitar work, but nonetheless the immortal James Murphy. Clocking in some brutal, distorted rhythm work with chords galore and speeds slow, but daunting, Trevor Peres is in charge. Donald Tardy hits behind the set with precision and mortification.

An album ahead of its time, a time when the Floridian death metal scene was reaching its highest. Obituary makes a mark in the scene so high and with utmost originality as well as a sort of "best 'of" compilation of songs that can only be replicated by the band. While to me it does sound like a compilation album, but really is a full-length brutal release that features guitar chords chunky and thick with an atmospheric death rattle to it. James Murphy raids the lead department and yet again sparks with utter intensity, featuring leads that are fully compliant on the fretboard the same way he hit "Spiritual Healing" by Death.

Musicianship is at its highest with John Tardy spewing forth death, gore, etc. type of lyrics, rhythms that are marked well with that intensity, leads fitting the atmosphere perfectly, and a production perfected by Scott Burns. He seemed to top death metal recorders in the production department at the time where these original sounding death metal bands were producing sounds that are so captivating and skull-wrenching. The overall aura on here was not only the vocals, rhythms, leads and drums, but the whole atmosphere featuring the most deathly sounding music ever put forth onto the scene.

Yes, they did have many competitors playing death metal, such as bands like Death, Pestilence, Cannibal Corpse, et al, and yet at that time they seemed to be among the great musicians playing this kind of metal. However, lyrical concepts are what they are on here and it suits the music. That thick, grinding, choppy, and tremolo-picked rhythms were well thought out and James Murphy rips out that talent that he bestowed on lead guitar. Such a great musician that has succumbed to the possibly life threatening brain cancer the same way that Chuck Schuldiner did. Murphy seems to be in pretty bad shape nowadays and hopefully the Sweet Relief Foundation will find funds to save him.

Get the remastered edition of "Cause of Death" for it features bonus demo tracks and an augmented, atmospheric, and damn bloody good cast of musicians with one of the top producer at the time. The music, the band, the era, and the augmented scene of deathly dying of metal is depicted. This album to me remains among the top albums in the genre of death metal ever recorded. It is my view at least, having been into death metal for over 23 years. Trust me, I know as picky as I am with albums that this one is top notch. If you choose to own it, get it ASAP because of its utter brain-wrenching death metal that's ever been heard. Obituary's finest here on this recording.

Orbitball


This is my favorite Obituary album (though I do not own their latest release, "Darkest Day", so I can't speak for it!) The reasoning here is simple: with "Cause of Death", Obituary reached something deep within the soul. The band had already released a masterpiece, with the awesome "Slowly We Rot" foreshadowing a great career playing death metal and releasing great albums in the future, but with this album, things were different. The distinctive guitar player, Allen West, who is known for his bluesy soloing, and more "laid back" approach when compared to other death metal guitar players of the day, such as Trey Azagthoth or the Hoffman brothers, was replaced by guitar virtuoso James Murphy. Okay, virtuoso is probably pushing it, but the guy is a damn good guitar player. His style was completely different from what people would have been used to with Allen West in this position, completely ditching West's bluesy, atmospheric approach, in favor of something which valued substance over style. By this, I mean that West prominently made use of whammy bar and other such "stylistic" trademarks which helped craft a greater sense of imagery upon the band's music, while Murphy took on a more melodic and technical, yet extremely emotional (in my eyes, at least) approach that has the ability to make the listener fall to his or her knees, in tears, marveling at the sheer beauty. That is hyperbole, but rest assured, the solos on this album rock.

Look no further than the album's title track, "Cause of Death" (which also happens to feature some of the best lyrics ever penned by vocalist John Tardy), for a wild ride! The song's introduction possesses one of the most memorable and soul-shattering solos on the entire album, and it alone does wonders to justify why this album is so awesome in the first place. However, that's far from all this album has to offer. Why, the album's opening track, "Infected", makes use of an extremely moody, very unsettling solo before the track even gets going with the main riff, to great effect. In fact, "great effect" is probably a really good way to describe this album. Just about everything here is in tip-top shape. Donald Tardy's drum kit sounds better than ever, with his snare tone in particular shining as one of the production's most stellar aspects, and rhythm guitarist Trevor Peres not only nails us with some of the most powerful and brutal riffs of his career (2:57 in "Chopped in Half", for instance), but the riffs are perfectly represented within his extremely crunchy, almost chainsaw-esque guitar tone (it's still not quite the same tone as one would find on a Dismember album, though!). The bass guitar of Frank Watkins (another new-comer to the band, at this time), is easily recognizable, sitting beneath the more obvious sections of the band's music, and supplying backing brutality beneath the sawing guitar riffs. He's not a bassist of flair, but he gets the job done!

Back to talking of riffs and guitars, Trevor Peres also delivers some amazing riffs here (as previously stated). "Body Bag" opens with one of the catchiest and most memorable riffs on the album, and the riff at 0:33 in "Memories Remain" still haunts my dreams (accompanied by the ever so subtle "LIEF GAOS ANNN...EVEAN AFTA... DEAFFFTHH" line from John Tardy), and in all honesty, the overall approach that he takes to his playing is enough to cement him as one of the riff-masters of the genre. Unlike many, there is very little "showing off" to be seen, and you won't hear anything in these riffs that doesn't need to be there, and does not help advance the song further. Even his rhythm riffs which churn below the unreal shredding of James Murphy, and are often comprised of only two or three chords, are capable of sticking to the mind even when a melodic solo is shredding above (Gavin Ward of Bolt Thrower is another guitarist who deserves credit for doing this, as well).

And the final member who needs to be discussed is the man himself: vocalist John Tardy. This guy is my personal favorite vocalist in all of death metal, and with "Cause of Death", he proves why. If he sounded insane on "Slowly We Rot" (and he did), then he doesn't even sound human on this album. The sheer terror in the man's voice is simply unbelievable, but what's more, is his presence within the music. By this, I mean that it took me years to realize that there are actually only one or two lines of lyrics growled in the entirety of "Chopped in Half". To have such a strong presence, that the listener doesn't even notice when you stop singing, is something truly remarkable. He simply sounds like a beast which has been unleashed from it's cage! Of course, Tardy's vocal performance is one of the few aspects of Obituary's music which has never waned in any noticeable way, even 20 years on, so this should hardly come as a surprise to anybody who was already familiar with the band.

Another unique aspect of his vocal performance with this album, is his use of backing vocal tracks. I once heard King Diamond claim that there was "alot going on" vocally on the "Don't Break the Oath" album from Mercyful Fate, and I think this description probably fits this album pretty well too (though to a much lesser extent!). It's a rather hard thing to explain, though. When you listen to some of the songs on this album, for example the album opener, "Infected" (which is where the "backing vocal" tracks are probably at their most prominent), you will hear a main vocal track of John Tardy growling along, while a side track sticks in a few words here and there. At other moments, such as the breakdown of "Body Bag" (which occurs at about 2:19), you will hear a backing track supply terrifying screams below Tardy's already maddening death grunt. This particular method of "double tracking" doesn't appear to be very common these days, where bands choose instead to copy the Deicide method (and if you don't know what that is, listen to any Deicide song from the "Scars of the Crucifix" album!), which I think is rather sad. Like I said earlier, this helps enhance the presence of Tardy's voice, giving the listener the impression that they are in a room filled with demonic, grunting entities (which is much more brutal than having two different styles repeat the same line...), or perhaps they are hearing sadistic voices in their heads, taunting them and urging them to kill? In either case, the vocals of John Tardy are clearly great on this album, and do wonders to enhance the atmosphere into something far beyond anything the band ever had done or ever would do.

There is so much more to talk about with this album, but in the end, I shouldn't need to explain further. If you don't already own this album, and are considering buying it...go ahead and do it, you won't regret it.

enigmatech



..::TRACK-LIST::..

1. Infected
2. Body Bag
3. Chopped In Half
4. Circle Of The Tyrants
5. Dying
6. Find The Arise
7. Cause of Death
8. Memories Remain
9. Turned Inside Out

Bonus Tracks:
10. Infected (demo)
11. Memories Remain (demo)
12. Chopped In Half (demo)



..::OBSADA::..

John Tardy - vocals
James Murphy - lead guitar
Trevor Peres - rhythm guitar
Frank Watkins - bass
Donald Tardy - drums




https://www.youtube.com/watch?v=EYxd8WxQIsU


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Po pięcioletniej przerwie Wasteform powraca z trzecią dużą płytą! Powalający masywny i ciężki brutalny death metal w amerykańskim stylu.
5 nowych numerów + 2 koncertowe wcześniej niepublikowane.
Pozycja obowiązkowa dla fanów SUFFOCATION, PYREXIA, DYING FETUS, SKINLESS!



..::TRACK-LIST::..

1. Sasquatch Sausages 04:02
2. Bedtime Butcher 03:14
3. Remnants Of... 04:06
4. Gori Amos 04:22
5. Goatmass 06:31
6. A Bitter End (Live) 05:19
7. Sewer Chewer (Live) 01:29



..::OBSADA::..

Bass - Samm Beleya
Drums - Bryan Mearon
Guitar - Akim Vladimir
Vocals - Greg Kennedy



https://www.youtube.com/watch?v=SJZlrc4q5iY


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Po pięcioletniej przerwie Wasteform powraca z trzecią dużą płytą! Powalający masywny i ciężki brutalny death metal w amerykańskim stylu.
5 nowych numerów + 2 koncertowe wcześniej niepublikowane.
Pozycja obowiązkowa dla fanów SUFFOCATION, PYREXIA, DYING FETUS, SKINLESS!



..::TRACK-LIST::..

1. Sasquatch Sausages 04:02
2. Bedtime Butcher 03:14
3. Remnants Of... 04:06
4. Gori Amos 04:22
5. Goatmass 06:31
6. A Bitter End (Live) 05:19
7. Sewer Chewer (Live) 01:29



..::OBSADA::..

Bass - Samm Beleya
Drums - Bryan Mearon
Guitar - Akim Vladimir
Vocals - Greg Kennedy



https://www.youtube.com/watch?v=SJZlrc4q5iY


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Czołówka nowej fali islandzkiego death metalu! Połączenie brutalnego, technicznego i progresywnego grania.

Pozycja obowiązkowa dla fanów GORGUTS, SUFFOCATION, CEPHALIC CARNAGE!!!



This is Severed Crotch's first full-length album. The songs on the album range all the way from the band's earliest days up to very recent material. It was mostly recorded by Ási Jóhannson and co-produced by Severed Crotch and was self-released by the band during the summer of 2010. In march 2011 it was released worldwide by Amputated Vein Records



A refreshing take on a style of death metal that may be considered stale to some.

I'm not a huge technical death metal fan but I can appreciate the style and the bands that play it.
At my first glance at the name and cover I thought this would be another boring brutal/slam death metal album, but I was wrong. The first song "A Breath of Hatred" had me interested for what was to come and didn't lose my attention. The one minute mark of this song has me headbanging and throwing up metal horns with a very creative riff that goes for a little bit without getting old. To me it seems most tech death bands have parts that you REALLY, REALLY like but they're not long enough. But that is not the case with SEVERED CROTCH. When they have a good flow picking up, they don't drop it. They ride that flow not too long and not too short. Just long enough for the listener to get really into it.
The vocals are also a remarkable element. They are generally low pitched, but the vocalist can change it up every now and then. It seems to flow with the music very well and makes it pleasing to the listener. The rest of the album kind of has the same feel to it, but it's not repetitive. You won't find yourself saying, "This is lame. I want to listen to something else." What you really find yourself saying at the end is, "Wow. That was impressive. I wonder if they have more material."

Any fan of death metal can enjoy this, even if technical death metal isn't their preference. And please, don't get turned off by the band name. I'm a very picky person and even I can look past it. Once you have listened to this, and you if you enjoyed it, I hope you also look forward to more releases by them.

730



..::TRACK-LIST::..

1. Precursor To Entropy 3:38
2. Breeding Failure 4:53
3. Ecstasy In Death 3:39
4. Human Recipes 4:17
5. XII 4:01
6. Soul Cremation 4:09
7. A Breath Of Hatred 4:47
8. The Nature Of Infidelity 6:03
9. Caught In Transcendence 6:23



..::OBSADA::..

Gunni - Drums
Þórður - Bass
Ingólfur - Vocals
Ingvar - Guitars
Kjartan - Guitars

Supervised By [Vocals Supervised By] - Ragnar Ólafsson
Piano - Svenni Svenn
Choir - Elli



https://www.youtube.com/watch?v=aS68wBrS-jM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Czołówka nowej fali islandzkiego death metalu! Połączenie brutalnego, technicznego i progresywnego grania.

Pozycja obowiązkowa dla fanów GORGUTS, SUFFOCATION, CEPHALIC CARNAGE!!!



This is Severed Crotch's first full-length album. The songs on the album range all the way from the band's earliest days up to very recent material. It was mostly recorded by Ási Jóhannson and co-produced by Severed Crotch and was self-released by the band during the summer of 2010. In march 2011 it was released worldwide by Amputated Vein Records



A refreshing take on a style of death metal that may be considered stale to some.

I'm not a huge technical death metal fan but I can appreciate the style and the bands that play it.
At my first glance at the name and cover I thought this would be another boring brutal/slam death metal album, but I was wrong. The first song "A Breath of Hatred" had me interested for what was to come and didn't lose my attention. The one minute mark of this song has me headbanging and throwing up metal horns with a very creative riff that goes for a little bit without getting old. To me it seems most tech death bands have parts that you REALLY, REALLY like but they're not long enough. But that is not the case with SEVERED CROTCH. When they have a good flow picking up, they don't drop it. They ride that flow not too long and not too short. Just long enough for the listener to get really into it.
The vocals are also a remarkable element. They are generally low pitched, but the vocalist can change it up every now and then. It seems to flow with the music very well and makes it pleasing to the listener. The rest of the album kind of has the same feel to it, but it's not repetitive. You won't find yourself saying, "This is lame. I want to listen to something else." What you really find yourself saying at the end is, "Wow. That was impressive. I wonder if they have more material."

Any fan of death metal can enjoy this, even if technical death metal isn't their preference. And please, don't get turned off by the band name. I'm a very picky person and even I can look past it. Once you have listened to this, and you if you enjoyed it, I hope you also look forward to more releases by them.

730



..::TRACK-LIST::..

1. Precursor To Entropy 3:38
2. Breeding Failure 4:53
3. Ecstasy In Death 3:39
4. Human Recipes 4:17
5. XII 4:01
6. Soul Cremation 4:09
7. A Breath Of Hatred 4:47
8. The Nature Of Infidelity 6:03
9. Caught In Transcendence 6:23



..::OBSADA::..

Gunni - Drums
Þórður - Bass
Ingólfur - Vocals
Ingvar - Guitars
Kjartan - Guitars

Supervised By [Vocals Supervised By] - Ragnar Ólafsson
Piano - Svenni Svenn
Choir - Elli



https://www.youtube.com/watch?v=aS68wBrS-jM



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Drugi album morderczej załogi z Północnej Karoliny, w skład której wchodzą ludzie z LUST OF DECAY, PUTRILAGE, LECHEROUS NOCTURNE, FLESH CONSUMED. Najwyższej klasy brutalny amerykański death metal.


To fantastyczny powrót Atrocious Abnormality.
Album składa się z dziewięciu niezwykle przyjemnych utworów, pełnych nieustępliwego, agresywnego i świetnie zaaranżowanego death metalu od początku do końca, który przez cały czas zachowuje brutalność i techniczny charakter.

FA


North Carolina death metal machine Atrocious Abnormality are poised to strike with their highly anticipated second full length CD, ‘Formed in Disgust’. A punishing follow up to their 2007 debut release ‘Echoes of the Rotting’, this new offering is a brutal combination of throat ripping guttural vocals and bowel shredding guitar riffs, together with an onslaught of merciless drumming and a bass bombardment of deadly precision. Ranging from fast technical sections, to slower haunting passages, to pit crushing slam and groove breakdowns, this CD has something for everyone and will satisfy the ravenous hunger of the most discerning death metal cannibals. In addition to this outbreak of sickness, there are also some respectable guest vocalist featured throughout the album to maximize the blasphemous carnage. Artwork by Marco Hasmann.


Hailing from North Carolina is Atrocious Abnormality, and they have returned with their sophomore effort entitled “Formed in Disgust”, which I must say is disgustingly awesome! There is no doubt that this is going to be one of the best brutal death metal albums of 2016. Having only been around since 2006 and having only a demo and 1 other album to their credit, these guys have crafted and mastered their art early on. Each one of these 9 tunes is so oozingly infectious, all you can do is just sit back and attempt to take in all of its awesomeness.

I need to start this one out by talking about the drum work. This is just absolutely sick! Not sure if the drums are triggered or not but the double bass is just insane. Thick and bottom heavy, well mixed and produced, Brent Williams can definitely hold his own with any drummer playing the same type of metal. He sounds absolutely super human behind the kit. Like a mixture of newer Suffocation, and Infected Flesh with a little “Legion” era Deicide style thrown in for good measure. I really like his playing ability. This guy has a lot of skill and is not afraid to display it. James O’Neal plays bass and a few of the bass lines are brought to the forefront of the music to play alongside the riffs which seems to add a nice agony filled chaos to the music. Some bands to bring the bass to the forefront of the music, yes, but These guys have a unique approach in that it is of a higher chord where as other bands use a lower chord just to get the “fuzz” or the “rumble” effect of the instrument. The more I think about it and listen to it, the more it reminds me of the bass work on Cannibal Corpse’s “Butchered at Birth” and “Tomb of the Mutilated” releases. Steve Green tackles both guitar and vocal duties and does a damn fine job of both. In many aspects of his playing it reminds me of mid to late 90’s traditional death metal style of riffage. Perhaps not in composition but more in style and delivery. There is also an unmistakable grindcore edge as well which only adds to the awesomeness and overall enjoyment of the album as a whole. Steve’s vocal patterns fit the material perfectly and aren’t all that hard to decipher when following along with the lyrics as compared to other bands playing the same type of brutal death metal. This is definitely a plus.

When you put all the aspects of this album together, you have something that is 100% true to form and unwavering in its intensity and brutality. There are absolutely no compromises. From beginning to end, this album does not let up and it keeps you right on the edge of your seat. So, if you like any of the above mentioned bands, then you are advised to get this and add it to your collection. This wonderful work or art is released by Comatose Records which just happens to be created and owned by Mr. Steve Green. Show the label some love and Atrocious Abnormality some love and get this CD, put it in your stereo and crank it up and let its awesomeness consume you whole!

Akerthorpe


The second full-length from North Carolina brutal death metallers Atrocious Abnormality offer such a wide array of influences spanning the entire gamut of elements popular within the brutal death realm it become wholly enjoyable. Straight from the beginning here, this one manages to feature such a varied and completely over-the-top attack that features a wide range of work throughout here. Nominally under most brutal death metal there comes all the tight, ferocious riffing that contains all sorts of shredding, flesh-ripping patterns and ripping speed-driven rhythms that offer up the most pulverizing beats and riffs possible, all of which comes through quite nicely in the genre as this is among the fastest bands in this particular style. Alongside this explosive series of riff-work, there’s a large amount of spindly, technical rhythms at these dizzying speeds that are complex not only for the different arrangements as well as the manner of changing from the different styles and paces with expert precision, catapulting this one even further along the range with a dynamic style all wrapped together. Coupled together with a few explosive slams brought in with ‘Erotic Tales of Disembowelment’ as well, the wide array of work here makes for a completely varied and complete look that makes for a dynamic attack.

The first half gives this one plenty to enjoy about it. Opener ‘Failed Apocalypse’ uses the sampled speech to set up the slowly-unfolding onslaught of spindly technical riffing and battering bass-lines slamming together through the staggered mid-tempo paces leading nicely into proper first track ‘Exterminate the Apostles’ featuring battering drumming and inhuman blasting alongside charging up-tempo series of technical riff-work full of tight, speed-driven rhythms and battering drumming charging along into the heavy slams featured in the spindly riffing of the final half for a dynamic, blistering effort. ‘Storm of Ash’ takes a steady stream of blasting drumming and tight chugging rhythms building into a slew of frantic, technical riffs slowly taking the frenetic rhythms along faster speeds with charging intensity erupting through blistering speeds slamming into the finale for a truly spectacular highlight. ‘Erotic Tales of Disembowelment’ weaves a strong series of spindly technical riffing and blasting drumming alongside a tight, thumping series of slams chugging through the series of frantic, mid-tempo segments full of dexterous, diving technicality in the riffing carrying through into the final half for another spectacular effort. The title track takes on blistering spindly riff-work and frantic blasting alongside the tight, blazing speed-driven rhythms charging along through the choppy rhythms carrying into the utterly relentless drumming bringing the frantic speeds along the finale for a strong overall effort.

Likewise, the second half here follows the first half rather nicely. ‘Bound for Damnation’ uses the lengthy sampled storyline intro that turns into blistering drum-work alongside dexterous riffing change-ups and tight, charging paces throughout with a series of blistering razor-wire rhythms savagely razing through the occasional slam blasting through the final half for a highly enjoyable track. ‘The Inevitable Undoing’ utilizes choppy drumming blasting throughout the series of spindly riffing full of tight, frenzied sections providing the blistering speed and choppy rhythms blazing throughout the series of scattered patterns dripping with the frenzied slamming through the finale making for another strong highlight effort. ‘Echoes of the Rotting’ blazes through a series of strong choppy technical riffs with the thumping rhythms taking the tight, frenetic riffs alongside the furious blasting drum-work full of dexterous pacing changes with the dynamic riffing covering the changes throughout the final half for overall-back-to-back highlights. Finally, album-closer ‘Incestry’ starts with a bluegrass-banjo intro before diving into a pummeling series of tight rhythms and utterly dexterous technical patterns filled with varying tempo changes with the riffing flowing through a series of utterly blistering rhythms alongside the dive-bombing patterns throughout the finale for a truly explosive finishing note here.

As there’s not a whole lot of overall flaws here and plenty to enjoy from the varied and comprehensive attack featured here that has so much to enjoy containing nearly everything possible in terms of brutal death metal that this one is completely appealing for any and all fans of the style or those that simply enjoy good, heavy extreme metal.

slayrrr666



..::TRACK-LIST::..

1. Failed Apocalypse 03:15
2. Exterminate the Apostles 03:32
3. Storm of Ash 03:07
4. Erotic Tales of Disembowelment 03:10
5. Formed in Disgust 02:52
6. Bound for Damnation 04:09
7. The Inevitable Undoing 03:47
8. Echoes of the Rotting 02:34
9. Incestry 03:06



..::OBSADA::..

James O'Neal - Bass
Brent Williams - Drums
Steve Green - Guitars, Vocals



https://www.youtube.com/watch?v=BK7CI6NP7po



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Drugi album morderczej załogi z Północnej Karoliny, w skład której wchodzą ludzie z LUST OF DECAY, PUTRILAGE, LECHEROUS NOCTURNE, FLESH CONSUMED. Najwyższej klasy brutalny amerykański death metal.


To fantastyczny powrót Atrocious Abnormality.
Album składa się z dziewięciu niezwykle przyjemnych utworów, pełnych nieustępliwego, agresywnego i świetnie zaaranżowanego death metalu od początku do końca, który przez cały czas zachowuje brutalność i techniczny charakter.

FA


North Carolina death metal machine Atrocious Abnormality are poised to strike with their highly anticipated second full length CD, ‘Formed in Disgust’. A punishing follow up to their 2007 debut release ‘Echoes of the Rotting’, this new offering is a brutal combination of throat ripping guttural vocals and bowel shredding guitar riffs, together with an onslaught of merciless drumming and a bass bombardment of deadly precision. Ranging from fast technical sections, to slower haunting passages, to pit crushing slam and groove breakdowns, this CD has something for everyone and will satisfy the ravenous hunger of the most discerning death metal cannibals. In addition to this outbreak of sickness, there are also some respectable guest vocalist featured throughout the album to maximize the blasphemous carnage. Artwork by Marco Hasmann.


Hailing from North Carolina is Atrocious Abnormality, and they have returned with their sophomore effort entitled “Formed in Disgust”, which I must say is disgustingly awesome! There is no doubt that this is going to be one of the best brutal death metal albums of 2016. Having only been around since 2006 and having only a demo and 1 other album to their credit, these guys have crafted and mastered their art early on. Each one of these 9 tunes is so oozingly infectious, all you can do is just sit back and attempt to take in all of its awesomeness.

I need to start this one out by talking about the drum work. This is just absolutely sick! Not sure if the drums are triggered or not but the double bass is just insane. Thick and bottom heavy, well mixed and produced, Brent Williams can definitely hold his own with any drummer playing the same type of metal. He sounds absolutely super human behind the kit. Like a mixture of newer Suffocation, and Infected Flesh with a little “Legion” era Deicide style thrown in for good measure. I really like his playing ability. This guy has a lot of skill and is not afraid to display it. James O’Neal plays bass and a few of the bass lines are brought to the forefront of the music to play alongside the riffs which seems to add a nice agony filled chaos to the music. Some bands to bring the bass to the forefront of the music, yes, but These guys have a unique approach in that it is of a higher chord where as other bands use a lower chord just to get the “fuzz” or the “rumble” effect of the instrument. The more I think about it and listen to it, the more it reminds me of the bass work on Cannibal Corpse’s “Butchered at Birth” and “Tomb of the Mutilated” releases. Steve Green tackles both guitar and vocal duties and does a damn fine job of both. In many aspects of his playing it reminds me of mid to late 90’s traditional death metal style of riffage. Perhaps not in composition but more in style and delivery. There is also an unmistakable grindcore edge as well which only adds to the awesomeness and overall enjoyment of the album as a whole. Steve’s vocal patterns fit the material perfectly and aren’t all that hard to decipher when following along with the lyrics as compared to other bands playing the same type of brutal death metal. This is definitely a plus.

When you put all the aspects of this album together, you have something that is 100% true to form and unwavering in its intensity and brutality. There are absolutely no compromises. From beginning to end, this album does not let up and it keeps you right on the edge of your seat. So, if you like any of the above mentioned bands, then you are advised to get this and add it to your collection. This wonderful work or art is released by Comatose Records which just happens to be created and owned by Mr. Steve Green. Show the label some love and Atrocious Abnormality some love and get this CD, put it in your stereo and crank it up and let its awesomeness consume you whole!

Akerthorpe


The second full-length from North Carolina brutal death metallers Atrocious Abnormality offer such a wide array of influences spanning the entire gamut of elements popular within the brutal death realm it become wholly enjoyable. Straight from the beginning here, this one manages to feature such a varied and completely over-the-top attack that features a wide range of work throughout here. Nominally under most brutal death metal there comes all the tight, ferocious riffing that contains all sorts of shredding, flesh-ripping patterns and ripping speed-driven rhythms that offer up the most pulverizing beats and riffs possible, all of which comes through quite nicely in the genre as this is among the fastest bands in this particular style. Alongside this explosive series of riff-work, there’s a large amount of spindly, technical rhythms at these dizzying speeds that are complex not only for the different arrangements as well as the manner of changing from the different styles and paces with expert precision, catapulting this one even further along the range with a dynamic style all wrapped together. Coupled together with a few explosive slams brought in with ‘Erotic Tales of Disembowelment’ as well, the wide array of work here makes for a completely varied and complete look that makes for a dynamic attack.

The first half gives this one plenty to enjoy about it. Opener ‘Failed Apocalypse’ uses the sampled speech to set up the slowly-unfolding onslaught of spindly technical riffing and battering bass-lines slamming together through the staggered mid-tempo paces leading nicely into proper first track ‘Exterminate the Apostles’ featuring battering drumming and inhuman blasting alongside charging up-tempo series of technical riff-work full of tight, speed-driven rhythms and battering drumming charging along into the heavy slams featured in the spindly riffing of the final half for a dynamic, blistering effort. ‘Storm of Ash’ takes a steady stream of blasting drumming and tight chugging rhythms building into a slew of frantic, technical riffs slowly taking the frenetic rhythms along faster speeds with charging intensity erupting through blistering speeds slamming into the finale for a truly spectacular highlight. ‘Erotic Tales of Disembowelment’ weaves a strong series of spindly technical riffing and blasting drumming alongside a tight, thumping series of slams chugging through the series of frantic, mid-tempo segments full of dexterous, diving technicality in the riffing carrying through into the final half for another spectacular effort. The title track takes on blistering spindly riff-work and frantic blasting alongside the tight, blazing speed-driven rhythms charging along through the choppy rhythms carrying into the utterly relentless drumming bringing the frantic speeds along the finale for a strong overall effort.

Likewise, the second half here follows the first half rather nicely. ‘Bound for Damnation’ uses the lengthy sampled storyline intro that turns into blistering drum-work alongside dexterous riffing change-ups and tight, charging paces throughout with a series of blistering razor-wire rhythms savagely razing through the occasional slam blasting through the final half for a highly enjoyable track. ‘The Inevitable Undoing’ utilizes choppy drumming blasting throughout the series of spindly riffing full of tight, frenzied sections providing the blistering speed and choppy rhythms blazing throughout the series of scattered patterns dripping with the frenzied slamming through the finale making for another strong highlight effort. ‘Echoes of the Rotting’ blazes through a series of strong choppy technical riffs with the thumping rhythms taking the tight, frenetic riffs alongside the furious blasting drum-work full of dexterous pacing changes with the dynamic riffing covering the changes throughout the final half for overall-back-to-back highlights. Finally, album-closer ‘Incestry’ starts with a bluegrass-banjo intro before diving into a pummeling series of tight rhythms and utterly dexterous technical patterns filled with varying tempo changes with the riffing flowing through a series of utterly blistering rhythms alongside the dive-bombing patterns throughout the finale for a truly explosive finishing note here.

As there’s not a whole lot of overall flaws here and plenty to enjoy from the varied and comprehensive attack featured here that has so much to enjoy containing nearly everything possible in terms of brutal death metal that this one is completely appealing for any and all fans of the style or those that simply enjoy good, heavy extreme metal.

slayrrr666



..::TRACK-LIST::..

1. Failed Apocalypse 03:15
2. Exterminate the Apostles 03:32
3. Storm of Ash 03:07
4. Erotic Tales of Disembowelment 03:10
5. Formed in Disgust 02:52
6. Bound for Damnation 04:09
7. The Inevitable Undoing 03:47
8. Echoes of the Rotting 02:34
9. Incestry 03:06



..::OBSADA::..

James O'Neal - Bass
Brent Williams - Drums
Steve Green - Guitars, Vocals



https://www.youtube.com/watch?v=BK7CI6NP7po



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To kolejny zespół w Great Dane Records, który wzbudza we mnie wspomnienia zamierzchłych czasów. Słyszałem Perversity już z początków ich działalności, z jakiegoś demo, którego tytułu teraz nie pamiętam… Zapamiętałem tylko, że w tamtych czasach grali czysty death metal, i to całkiem dobry, pewnie dlatego też nazwa zespołu nigdy nie uciekła mi z pamięci. Wraz z nowym albumem odkrywam, że Perversity nie zmienili swojego podejścia do ekstremalnej muzyki i wciąż grają old schoolowy death metal, taki szczery, surowy, brutalny i bluźnierczy, ale i jeszcze lepszy niz to pamiętam.

Ten album posiada jakby 2 główne oblicza. Pierwsze, to proste death metalowe riffy, sporo szybkich balastów perkusyjnych, i rasowo brzmiące death metalowe wokale czyli standard, ale zbudowany na solidnych death metalowych podwalinach i wpływach. Album mocno przypomina mi Hate z ich death metalowej ery. Druga twarz tej płyty to super brzmiące dysonanse gitarowe w stylu Immolation, co daje gdzie czysty death metal zderza się z nieco udziwniony riffami co daje czasami dość mroczny efekt. Jak napisałem Perversity wsadzam na piłkę wraz z Hate I Immolation, ale myślę że ich muzyka broni się sama swoją pomysłowością, linczujaca umysł brutalnością i szorstkością. Płyta wyprodukowana jest dość surowe, ale podchodzi mi brzmienie tej płyty, bez wątpienia. Oprócz death metalowych masakr i kakofonicznych nawalanek, zespół potrafi zagrać kilka ciężkich jak młot Thora kawałków, które brzmią soczyście i całkiem miażdżąca.

Cieszy mnie że death metal w roku 2024 ciągle brzmi interesująco, co udowodnił na swoim albumie słowacki Perversity.

Slawek Migacz


This is another band on Great Dane Records that brings back memories of past times. I heard the music of Perversity in the beginning of their activity, from some demo, the title of which I don't remember now... I only memorized that at the time they played pure death metal, and they have been quite good at that, which is probably why the name of the band has never escaped my memory. With the new album, I discover that Perversity have not changed their approach to extreme music and they still into old school death metal,which sounds honest, raw, brutal and blasphemous, but even better than before.

This album has two main faces. The first one is based on simple death metal riffs, plenty of drum beats, and really great-sounding death metal vocals. Everything is built on solid death metal foundations and influences but the band delivers pretty standard death metal, which is good in their case. The album strongly reminds me of Hate from their death metal era. The second face of this album are superbly interwined guitar dissonances, in the style of Immolation, where pure death metal collides with slightly weird death metal riffs, which brings a quite dark effects at times. As I wrote, I like Perversity along with Hate and Immolation, but I think that their music defends itself with its ingenuity, lynching the mind brutality and roughness of sound. The production of the album is quite raw, but I just like it as it is, without a doubt. In addition to death metal massacres and cacophonous tempos, the band recorded several songs as heavy as Thor's hammer, which sounds really crushing and brutal and it`s very accurate that Perversity also has slower songs in their tracklist.

I'm glad that death metal still sounds interesting in 2024, as the Slovak Perversity proved on this very album.

Slawek Migacz


"Negation Spirituel" is the 6th album of the band, composed of 10 tracks with a total duration of 38 minutes. You can expect pure death metal marked by darkness and brutality.

-The lyrical concept of the album is spiritual negation is a form of negative theology and is as old as philosophy itself. It is a form of theological thinking and religious practise which attempts to approach the negative belief that there is no salvation in the end of the world. That your soul will not be saved by the light of heaven. And everything will be swallowed by the darkness and chaos itself.

- This stunning artwork was created by the very talented Janka Varadyova of "JanaVe Art". The design and layout were made by Hans from "Dis-Art Design".

- The album was recorded, mixed and mastered by Martin Barla in his "MF Studios" in Poprad between June and October 2023.

For fans of: Immolation, Sinister or Morbid Angel



..::TRACK-LIST::..

1. Feasting (intro) 01:41
2. The mouth of abyzou 03:17
3. Patron of hate 03:43
4. Your flesh is my temple 03:26
5. Spiritual negation 02:27
6. Venom divine 03:04
7. Wrath manifest 05:01
8. Exaltation of the morningstar 05:54
9. Fate weaver 03:07
10. Epitome of diabolization 06:33



..::OBSADA::..

Jozef 'Dodi' Košč - guitar, backVox
Marek Baran - drums
Juraj 'Kazateľ' Handzuš - vocals
Radoslav Smrek - bass
Martin 'Fetus' Calko - guitar

Guests:
Lenka 'Ena' Serafinova - female vocals in the track 'Epitome of Diabolization'
Rene Blahusiak - lead guitar (solo) in the track 'Epitome of Diabolization'



https://www.youtube.com/watch?v=FE1v9NrItTE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

To kolejny zespół w Great Dane Records, który wzbudza we mnie wspomnienia zamierzchłych czasów. Słyszałem Perversity już z początków ich działalności, z jakiegoś demo, którego tytułu teraz nie pamiętam… Zapamiętałem tylko, że w tamtych czasach grali czysty death metal, i to całkiem dobry, pewnie dlatego też nazwa zespołu nigdy nie uciekła mi z pamięci. Wraz z nowym albumem odkrywam, że Perversity nie zmienili swojego podejścia do ekstremalnej muzyki i wciąż grają old schoolowy death metal, taki szczery, surowy, brutalny i bluźnierczy, ale i jeszcze lepszy niz to pamiętam.

Ten album posiada jakby 2 główne oblicza. Pierwsze, to proste death metalowe riffy, sporo szybkich balastów perkusyjnych, i rasowo brzmiące death metalowe wokale czyli standard, ale zbudowany na solidnych death metalowych podwalinach i wpływach. Album mocno przypomina mi Hate z ich death metalowej ery. Druga twarz tej płyty to super brzmiące dysonanse gitarowe w stylu Immolation, co daje gdzie czysty death metal zderza się z nieco udziwniony riffami co daje czasami dość mroczny efekt. Jak napisałem Perversity wsadzam na piłkę wraz z Hate I Immolation, ale myślę że ich muzyka broni się sama swoją pomysłowością, linczujaca umysł brutalnością i szorstkością. Płyta wyprodukowana jest dość surowe, ale podchodzi mi brzmienie tej płyty, bez wątpienia. Oprócz death metalowych masakr i kakofonicznych nawalanek, zespół potrafi zagrać kilka ciężkich jak młot Thora kawałków, które brzmią soczyście i całkiem miażdżąca.

Cieszy mnie że death metal w roku 2024 ciągle brzmi interesująco, co udowodnił na swoim albumie słowacki Perversity.

Slawek Migacz


This is another band on Great Dane Records that brings back memories of past times. I heard the music of Perversity in the beginning of their activity, from some demo, the title of which I don't remember now... I only memorized that at the time they played pure death metal, and they have been quite good at that, which is probably why the name of the band has never escaped my memory. With the new album, I discover that Perversity have not changed their approach to extreme music and they still into old school death metal,which sounds honest, raw, brutal and blasphemous, but even better than before.

This album has two main faces. The first one is based on simple death metal riffs, plenty of drum beats, and really great-sounding death metal vocals. Everything is built on solid death metal foundations and influences but the band delivers pretty standard death metal, which is good in their case. The album strongly reminds me of Hate from their death metal era. The second face of this album are superbly interwined guitar dissonances, in the style of Immolation, where pure death metal collides with slightly weird death metal riffs, which brings a quite dark effects at times. As I wrote, I like Perversity along with Hate and Immolation, but I think that their music defends itself with its ingenuity, lynching the mind brutality and roughness of sound. The production of the album is quite raw, but I just like it as it is, without a doubt. In addition to death metal massacres and cacophonous tempos, the band recorded several songs as heavy as Thor's hammer, which sounds really crushing and brutal and it`s very accurate that Perversity also has slower songs in their tracklist.

I'm glad that death metal still sounds interesting in 2024, as the Slovak Perversity proved on this very album.

Slawek Migacz


"Negation Spirituel" is the 6th album of the band, composed of 10 tracks with a total duration of 38 minutes. You can expect pure death metal marked by darkness and brutality.

-The lyrical concept of the album is spiritual negation is a form of negative theology and is as old as philosophy itself. It is a form of theological thinking and religious practise which attempts to approach the negative belief that there is no salvation in the end of the world. That your soul will not be saved by the light of heaven. And everything will be swallowed by the darkness and chaos itself.

- This stunning artwork was created by the very talented Janka Varadyova of "JanaVe Art". The design and layout were made by Hans from "Dis-Art Design".

- The album was recorded, mixed and mastered by Martin Barla in his "MF Studios" in Poprad between June and October 2023.

For fans of: Immolation, Sinister or Morbid Angel



..::TRACK-LIST::..

1. Feasting (intro) 01:41
2. The mouth of abyzou 03:17
3. Patron of hate 03:43
4. Your flesh is my temple 03:26
5. Spiritual negation 02:27
6. Venom divine 03:04
7. Wrath manifest 05:01
8. Exaltation of the morningstar 05:54
9. Fate weaver 03:07
10. Epitome of diabolization 06:33



..::OBSADA::..

Jozef 'Dodi' Košč - guitar, backVox
Marek Baran - drums
Juraj 'Kazateľ' Handzuš - vocals
Radoslav Smrek - bass
Martin 'Fetus' Calko - guitar

Guests:
Lenka 'Ena' Serafinova - female vocals in the track 'Epitome of Diabolization'
Rene Blahusiak - lead guitar (solo) in the track 'Epitome of Diabolization'



https://www.youtube.com/watch?v=FE1v9NrItTE



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Trzeci album niemieckiego zespołu grającego brutalny oldschoolowy death metal w klimacie EXHUMED!

Pokryty rdzą i brudem walec, który rozgniata wszystko na swojej drodze!
Zombie, kanibale i wszelkiej maści humanoidy, a także inne zboczone, złe i brutalne istoty, są miażdżone...
Pozostaje ropa, krew i mnóstwo mięsa w oczywiście w gnijącej postaci!



..::TRACK-LIST::..

1. Intro
2. Bloodshed Begins
3. Death Metal
4. Flesh Cult Apocalypse
5. Black Blood
6. Tales Of The Undead
7. Time To Bleed
8. First Sign Of Cannibalism
9. Bloodpath
10. Outro



..::OBSADA::..

(CockRock) Rocky Schuster - Drum
(Sadistic Petus) Peter 'Goos' Schöndube - Guitars, Growls and Screams
(Pennytration) Andre 'Penny' Pennewitz - Bass, Growls




https://www.youtube.com/watch?v=LVKUYPMv2Hk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Trzeci album niemieckiego zespołu grającego brutalny oldschoolowy death metal w klimacie EXHUMED!

Pokryty rdzą i brudem walec, który rozgniata wszystko na swojej drodze!
Zombie, kanibale i wszelkiej maści humanoidy, a także inne zboczone, złe i brutalne istoty, są miażdżone...
Pozostaje ropa, krew i mnóstwo mięsa w oczywiście w gnijącej postaci!



..::TRACK-LIST::..

1. Intro
2. Bloodshed Begins
3. Death Metal
4. Flesh Cult Apocalypse
5. Black Blood
6. Tales Of The Undead
7. Time To Bleed
8. First Sign Of Cannibalism
9. Bloodpath
10. Outro



..::OBSADA::..

(CockRock) Rocky Schuster - Drum
(Sadistic Petus) Peter 'Goos' Schöndube - Guitars, Growls and Screams
(Pennytration) Andre 'Penny' Pennewitz - Bass, Growls




https://www.youtube.com/watch?v=LVKUYPMv2Hk



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Obsesja na punkcie grozy przenika szerokie pasma ekstremalnej muzyki niczym kosa Wielkiego Niwelatora. Najbardziej pierwotne i nieuleczalne lęki ludzkości przybierały mnogość przerażających kształtów, zarówno potwornych, jak i widmowych, w rozmaitych muzycznych formach od najdawniejszych czasów najcięższej muzyki.
Ta fascynacja śmiercią i tym, co może czaić się za tym straszliwym horyzontem zdarzeń, lub tym, co może czaić się nawet teraz na poszarpanej krawędzi między naszym wymiarem a innym, wciąż ożywia twórcze impulsy wielu zespołów, ale niewiele jest albumów tak skutecznie oddających makabryczne lęki.

Mówiąc najogólniej, album jest niezwykle ciężki i potrafi zarówno zmrozić krew w żyłach, jak i podpalić nerwy. Tworzy głęboką, nadprzyrodzoną atmosferę, przesiąkniętą upiornością i mrokiem, ale także nieustannie wyzwala przypływy adrenaliny poprzez niszczycielskie napady pulsującego, wręcz nieodpartego, barbarzyństwa.



..::TRACK-LIST::..

1. Phobia In Excelsis 01:06
2. The Silent Static 12:06
3. Mind Tap 02:56
4. Dream Paralysis 05:13
5. Waves of Defacement 02:41
6. Transmissions From Beneath 05:42
7. Consuming Repulse 03:23
8. Exit Daze 06:10
9. Bleaching 07:46
10. Serum 01:07



..::OBSADA::..

Aort - electric lead, rhythm and bass guitars, synths
I.R.G. - singing, electric lead guitars, synths
A. Carrier - drums and percussion



https://www.youtube.com/watch?v=0d5UhWa7WJc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Obsesja na punkcie grozy przenika szerokie pasma ekstremalnej muzyki niczym kosa Wielkiego Niwelatora. Najbardziej pierwotne i nieuleczalne lęki ludzkości przybierały mnogość przerażających kształtów, zarówno potwornych, jak i widmowych, w rozmaitych muzycznych formach od najdawniejszych czasów najcięższej muzyki.
Ta fascynacja śmiercią i tym, co może czaić się za tym straszliwym horyzontem zdarzeń, lub tym, co może czaić się nawet teraz na poszarpanej krawędzi między naszym wymiarem a innym, wciąż ożywia twórcze impulsy wielu zespołów, ale niewiele jest albumów tak skutecznie oddających makabryczne lęki.

Mówiąc najogólniej, album jest niezwykle ciężki i potrafi zarówno zmrozić krew w żyłach, jak i podpalić nerwy. Tworzy głęboką, nadprzyrodzoną atmosferę, przesiąkniętą upiornością i mrokiem, ale także nieustannie wyzwala przypływy adrenaliny poprzez niszczycielskie napady pulsującego, wręcz nieodpartego, barbarzyństwa.



..::TRACK-LIST::..

1. Phobia In Excelsis 01:06
2. The Silent Static 12:06
3. Mind Tap 02:56
4. Dream Paralysis 05:13
5. Waves of Defacement 02:41
6. Transmissions From Beneath 05:42
7. Consuming Repulse 03:23
8. Exit Daze 06:10
9. Bleaching 07:46
10. Serum 01:07



..::OBSADA::..

Aort - electric lead, rhythm and bass guitars, synths
I.R.G. - singing, electric lead guitars, synths
A. Carrier - drums and percussion



https://www.youtube.com/watch?v=0d5UhWa7WJc



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Konkretna, solidna debiutancka 'pizda prosto w ryj' tego duetu, łącząca brzmienie HM2 Stockholm z Entombed i szybką, bardziej 'chrupiącą' stroną hardcore'u, tworząc wściekłego bękarta, który bardzo dobrze wróży na przyszłość.



Death metal/crust maniacs GOREGӒNG have worked hard on their first full length album after causing a bit of a stir with their short debut. With members of reputed bands like VENOM INC., RIBSPREADER, SOILWORK (live), etc. in their lineup, everything is top-notch and well-thought right down to the Mark Riddick logo, the jaw-dropping Juanjo Castellano artwork, not to mention the impeccable production and execution of the music that can be summed up as a perfect amalgamation of death metal with a lethal dose of crust/grind. There's added menace in the vocal delivery, with Kling mixing it all up and pacing it beautifully to the undulating music. There's an undeniable charm to the proceedings as the songs chug along with maniacal glee, breaking into faster punkish parts and rampaging till the end. It's an album littered with so many variations that you'll need to get back to it to keep track of it all. It's a rare album that eschews the standard template and does things its own way to keep it entertaining and yes, brutal.


- "one of the best death metal releases of the year, if not the best" - Angry Metal Guy (US) 4/5
www.angrymetalguy.com/goregang-neon-graves-review/

- "a battering ram of crusty death metal" - Decibel Magazine (US)
www.decibelmagazine.com/2019/04/08/track-premiere-goregang-silence-is-consent/

- "this album might just be the tightest and nastiest death metal I’ve heard so far this year" - Nine Circles (US)
ninecircles.co/2019/05/23/embracing-the-descent-may-19-25-2019/

- "a thrilling listen" - Metal Injection (US)
metalinjection.net/reviews/goregang-neon-graves

- "a monumental album" - Head-banger Reviews (US)
headbangerreviews.wordpress.com/2019/03/17/goregӓng-neon-graves

- "startlingly good" - GBHBL (US) 9/10
www.gbhbl.com/album-review-goregӓng-neon-graves-transcending-obscurity-records/

- "simply a fantastic record" - Cadaver Garden (US)
cadavergarden.com/2019/04/19/goregang-neon-graves/

- "checks all the essential boxes for a certified, headbang-worthy good time" - Heavy Blog Is Heavy (US)
www.heavyblogisheavy.com/2019/05/15/exclusive-premiere-goregang-bury-us-in-a-neon-grave/

- "beast of an album" - Metal Temple (Greece) 8/10
www.metal-temple.com/site/catalogues/entry/reviews/cd_3/g_2/goregang-neon-graves.htm

- "A jewel from the underground" - Heavy Hardes (Germany)
www.heavyhardes.de/review-10136.html

- "full of energy, riffs, and violence!" - The Metal Wanderlust (US)
themetalwanderlust.com/2019/05/09/track-premier-this-era-of-human-goregang/

- "a solid consistent offering" - Metal Talk (UK) 8/10
metaltalk.net/abyss/goregang-neon-graves.php

- "addictive" - Two Guys Metal Reviews (US)
www.twoguysmetalreviews.com/2019/05/goregang-neon-graves.html

- "fantastic" - Nattskog (UK) 8/10
nattskog.wordpress.com/2019/02/28/album-review-goregang-neon-graves/

- "checks all the essential boxes" - Heavy Blog Is Heavy (US)
www.heavyblogisheavy.com/2019/05/15/exclusive-premiere-goregang-bury-us-in-a-neon-grave

- "monstrous riffs" - Music In Belgium (Belgium) 4/5
www.musicinbelgium.net/reviews/goregang-neon-graves/

- "fantastic and memorable" - Distorted Sound Magazine (Belgium)
distortedsoundmag.com/album-review-neon-graves-goregӓng/

- "excellent" - All Round Metal (Italy)
allaroundmetal.com/component/content/article/26-releases/6196-un-approccio-diretto-ed-un-attitudine-sfrontata-sono-la-ricetta-perfetta-dei-goregang

- "imminently headbangable" - Toilet ov Hell (US)
toiletovhell.com/premiere-goregang-false-flags/

- "truly inspiring" - Ave Noctum (UK) 8/10
www.avenoctum.com/2019/05/goregang-neon-graves-transcending-obscurity/

- "ingeniously written" - Blessed Altar (Netherlands)
www.blessedaltarzine.com/2019/05/28/goregang-neon-graves/

- "it’s a winner" - Dead Rhetoric (US)
deadrhetoric.com/reviews/goregang-neon-graves-transcending-obscurity/

- "Goregäng cannot do much wrong for the fans of this old school deathcrust" - Wings of Death (Netherlands)
www.wingsofdeath.net/Goregang-Neon-Graves

- "massively enjoyable and fun" - Musipedia of Metal (UK)
musipediaofmetal.blogspot.com/2019/06/reviews-goregang-destroyer-of-light.html

- "something new" - Glacially Musical (UK)
glaciallymusical.blogspot.com/2019/04/lp-review-neon-graves-by-goregng.html

- "Great stuff!" - Worship Metal (UK)
www.worshipmetal.com/reviews/goregӓng-neon-graves-album-review/

- "very skillfully done" - Live Reviewer (Netherlands)
wp.livereviewer.com/review-goregang-neon-graves-transcending-obscurity-records-20-mei-2019/

- "appealing" - Musik Reviews (Germany)
musikreviews.de/reviews/2019/Goregaeng/Neon-Graves/

- "unique" - Dissecting the Euphony (Malaysia)
dissectingtheeuphony.blogspot.com/2019/03/goregng-neon-graves-2019.html

- "cool and memorable" - Scumfeast (US)
scumfeastzineblog.blogspot.com/2019/04/goregang-neon-graves-review.html



..::TRACK-LIST::..

1. A Cavity in Reality 01:36
2. False Flags 02:03
3. Cathedral of Chemicals 02:23
4. Silence is Consent 01:38
5. Spray of Teeth 02:22
6. Feeble-minded Rash 03:41
7. Neon Graves 03:26
8. Plague of Hammers 03:34
9. Goregӓng 02:47
10. Weightless Sentinels 02:11
11. Putrid Judgement 03:54
12. This Era of Human 04:33



..::OBSADA::..

Jeramie Kling - Vocals, Guitars (VENOM INC., RIBSPREADER, ex-WOMBBATH)
Taylor Nordberg - Drums, Guitars (RIBSPREADER, ex-SOILWORK [live], ex-WOMBBATH)




https://www.youtube.com/watch?v=OLbZ38QpXgA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Konkretna, solidna debiutancka 'pizda prosto w ryj' tego duetu, łącząca brzmienie HM2 Stockholm z Entombed i szybką, bardziej 'chrupiącą' stroną hardcore'u, tworząc wściekłego bękarta, który bardzo dobrze wróży na przyszłość.



Death metal/crust maniacs GOREGӒNG have worked hard on their first full length album after causing a bit of a stir with their short debut. With members of reputed bands like VENOM INC., RIBSPREADER, SOILWORK (live), etc. in their lineup, everything is top-notch and well-thought right down to the Mark Riddick logo, the jaw-dropping Juanjo Castellano artwork, not to mention the impeccable production and execution of the music that can be summed up as a perfect amalgamation of death metal with a lethal dose of crust/grind. There's added menace in the vocal delivery, with Kling mixing it all up and pacing it beautifully to the undulating music. There's an undeniable charm to the proceedings as the songs chug along with maniacal glee, breaking into faster punkish parts and rampaging till the end. It's an album littered with so many variations that you'll need to get back to it to keep track of it all. It's a rare album that eschews the standard template and does things its own way to keep it entertaining and yes, brutal.


- "one of the best death metal releases of the year, if not the best" - Angry Metal Guy (US) 4/5
www.angrymetalguy.com/goregang-neon-graves-review/

- "a battering ram of crusty death metal" - Decibel Magazine (US)
www.decibelmagazine.com/2019/04/08/track-premiere-goregang-silence-is-consent/

- "this album might just be the tightest and nastiest death metal I’ve heard so far this year" - Nine Circles (US)
ninecircles.co/2019/05/23/embracing-the-descent-may-19-25-2019/

- "a thrilling listen" - Metal Injection (US)
metalinjection.net/reviews/goregang-neon-graves

- "a monumental album" - Head-banger Reviews (US)
headbangerreviews.wordpress.com/2019/03/17/goregӓng-neon-graves

- "startlingly good" - GBHBL (US) 9/10
www.gbhbl.com/album-review-goregӓng-neon-graves-transcending-obscurity-records/

- "simply a fantastic record" - Cadaver Garden (US)
cadavergarden.com/2019/04/19/goregang-neon-graves/

- "checks all the essential boxes for a certified, headbang-worthy good time" - Heavy Blog Is Heavy (US)
www.heavyblogisheavy.com/2019/05/15/exclusive-premiere-goregang-bury-us-in-a-neon-grave/

- "beast of an album" - Metal Temple (Greece) 8/10
www.metal-temple.com/site/catalogues/entry/reviews/cd_3/g_2/goregang-neon-graves.htm

- "A jewel from the underground" - Heavy Hardes (Germany)
www.heavyhardes.de/review-10136.html

- "full of energy, riffs, and violence!" - The Metal Wanderlust (US)
themetalwanderlust.com/2019/05/09/track-premier-this-era-of-human-goregang/

- "a solid consistent offering" - Metal Talk (UK) 8/10
metaltalk.net/abyss/goregang-neon-graves.php

- "addictive" - Two Guys Metal Reviews (US)
www.twoguysmetalreviews.com/2019/05/goregang-neon-graves.html

- "fantastic" - Nattskog (UK) 8/10
nattskog.wordpress.com/2019/02/28/album-review-goregang-neon-graves/

- "checks all the essential boxes" - Heavy Blog Is Heavy (US)
www.heavyblogisheavy.com/2019/05/15/exclusive-premiere-goregang-bury-us-in-a-neon-grave

- "monstrous riffs" - Music In Belgium (Belgium) 4/5
www.musicinbelgium.net/reviews/goregang-neon-graves/

- "fantastic and memorable" - Distorted Sound Magazine (Belgium)
distortedsoundmag.com/album-review-neon-graves-goregӓng/

- "excellent" - All Round Metal (Italy)
allaroundmetal.com/component/content/article/26-releases/6196-un-approccio-diretto-ed-un-attitudine-sfrontata-sono-la-ricetta-perfetta-dei-goregang

- "imminently headbangable" - Toilet ov Hell (US)
toiletovhell.com/premiere-goregang-false-flags/

- "truly inspiring" - Ave Noctum (UK) 8/10
www.avenoctum.com/2019/05/goregang-neon-graves-transcending-obscurity/

- "ingeniously written" - Blessed Altar (Netherlands)
www.blessedaltarzine.com/2019/05/28/goregang-neon-graves/

- "it’s a winner" - Dead Rhetoric (US)
deadrhetoric.com/reviews/goregang-neon-graves-transcending-obscurity/

- "Goregäng cannot do much wrong for the fans of this old school deathcrust" - Wings of Death (Netherlands)
www.wingsofdeath.net/Goregang-Neon-Graves

- "massively enjoyable and fun" - Musipedia of Metal (UK)
musipediaofmetal.blogspot.com/2019/06/reviews-goregang-destroyer-of-light.html

- "something new" - Glacially Musical (UK)
glaciallymusical.blogspot.com/2019/04/lp-review-neon-graves-by-goregng.html

- "Great stuff!" - Worship Metal (UK)
www.worshipmetal.com/reviews/goregӓng-neon-graves-album-review/

- "very skillfully done" - Live Reviewer (Netherlands)
wp.livereviewer.com/review-goregang-neon-graves-transcending-obscurity-records-20-mei-2019/

- "appealing" - Musik Reviews (Germany)
musikreviews.de/reviews/2019/Goregaeng/Neon-Graves/

- "unique" - Dissecting the Euphony (Malaysia)
dissectingtheeuphony.blogspot.com/2019/03/goregng-neon-graves-2019.html

- "cool and memorable" - Scumfeast (US)
scumfeastzineblog.blogspot.com/2019/04/goregang-neon-graves-review.html



..::TRACK-LIST::..

1. A Cavity in Reality 01:36
2. False Flags 02:03
3. Cathedral of Chemicals 02:23
4. Silence is Consent 01:38
5. Spray of Teeth 02:22
6. Feeble-minded Rash 03:41
7. Neon Graves 03:26
8. Plague of Hammers 03:34
9. Goregӓng 02:47
10. Weightless Sentinels 02:11
11. Putrid Judgement 03:54
12. This Era of Human 04:33



..::OBSADA::..

Jeramie Kling - Vocals, Guitars (VENOM INC., RIBSPREADER, ex-WOMBBATH)
Taylor Nordberg - Drums, Guitars (RIBSPREADER, ex-SOILWORK [live], ex-WOMBBATH)




https://www.youtube.com/watch?v=OLbZ38QpXgA



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Jedyna duża płyta z 2002 roku holenderskiego CREMATION, w skład którego wchodzili muzycy THANATOS, ASPHYX, HAIL OF BULLETS. Materiał nagrano w Studio Excess przez Hansa Pietersa (GOREFEST, HAIL OF BULLETS).

Muzyka zespołu to staroszkolny death metal inspriowany klasycznymi zespołami z Florydy, a w szczególności DEATH. CD zawiera 8 bonusowych utworów, odświeżony booklet oraz liner notes!



..::TRACK-LIST::..

1. Vanished Into Oblivion 4:30
2. The Void 3:03
3. Sempiternal Hatred 4:28
4. Intangible Malignancy 3:16
5. Veil Of Secrecies 0:57
6. Futile Existence 4:44
7. Stain Of Purity 3:01
8. The Prohibition Of Light 3:35
9. Deceptive Felicity 3:53

Bonus Tracks :
10. Beyond The Edge Of Insanity 4:06
11. Suffer In Obedience 3:45
12. Waiting For The Sun 4:21
13. Unjustified Judgements 6:38
14. Echoes Of Mayhem 1:49
15. Valediction 4:22
16. Deceptive Felicity 3:51
17. Futile Existence 4:34



..::OBSADA::..

Vocals - Paul Baayens
Guitar - Joost de Boer, Paul Baayens
Bass - Michiel Stoop
Drums - Benito 'Bono' Grotenbreg



https://www.youtube.com/watch?v=VNQWxab7-fI


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Jedyna duża płyta z 2002 roku holenderskiego CREMATION, w skład którego wchodzili muzycy THANATOS, ASPHYX, HAIL OF BULLETS. Materiał nagrano w Studio Excess przez Hansa Pietersa (GOREFEST, HAIL OF BULLETS).

Muzyka zespołu to staroszkolny death metal inspriowany klasycznymi zespołami z Florydy, a w szczególności DEATH. CD zawiera 8 bonusowych utworów, odświeżony booklet oraz liner notes!



..::TRACK-LIST::..

1. Vanished Into Oblivion 4:30
2. The Void 3:03
3. Sempiternal Hatred 4:28
4. Intangible Malignancy 3:16
5. Veil Of Secrecies 0:57
6. Futile Existence 4:44
7. Stain Of Purity 3:01
8. The Prohibition Of Light 3:35
9. Deceptive Felicity 3:53

Bonus Tracks :
10. Beyond The Edge Of Insanity 4:06
11. Suffer In Obedience 3:45
12. Waiting For The Sun 4:21
13. Unjustified Judgements 6:38
14. Echoes Of Mayhem 1:49
15. Valediction 4:22
16. Deceptive Felicity 3:51
17. Futile Existence 4:34



..::OBSADA::..

Vocals - Paul Baayens
Guitar - Joost de Boer, Paul Baayens
Bass - Michiel Stoop
Drums - Benito 'Bono' Grotenbreg



https://www.youtube.com/watch?v=VNQWxab7-fI


SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

After having smashed prevailing standards for the style with their unique approach on their highly lauded previous release, Replicant take things further still with their new full length, finding ways to make their music even more convoluted and impactful while retaining their trademark dissonant and catchy sound. They've found ways to add new aspects to it without hampering the momentum, constantly changing things up with the listener's body still lashing uncontrollably. The songs veer off in their own unexpected, thrilling directions while upholding the inherent semblance of groove, only to reconnect later with greater force. Things seem to add up and make sense as the album progresses, an ostensibly innocuous mechanical contraption getting constant upgrades to become potentially world-ending. There's fire in the songwriting, the members refusing to succumb to the lull of complacency and working furiously, constantly on the songs to elevate them to a rarefied category. It sees the stature of the band rising, the sound evolving methodically and convincingly, the album giving more than what could be expected from them having already established their identity, and in turn setting new standards for others yet again.

For fans of: Gorguts, Norse, Demilich, Negativa, Diskord, Wormed, Resin Tomb, Ulcerate, Terra Builder



PRESS:
"This is one of the best metal albums of the year, possibly of the decade" - Lambgoat (US)
lambgoat.com/albums/3326/replicant-infinite-mortality/

"The simple truth is that Replicant have me head over heels for Infinite Mortality" - Angry Metal Guy (US) 4.5/5
www.angrymetalguy.com/replicant-infinite-mortality-review/

"a high-energy death metal din that is absolutely cathartic" - Stereogum (US)
www.stereogum.com/2257361/van-jams-the-songs-that-metal-bands-blast-behind-the-wheel/columns/the-black-market/

"Every song is a tightly knit collection of wild ideas that puts the listener in a blender " - Last Rites (US)
yourlastrites.com/2024/04/10/replicant-infinite-mortality-review

"a masterpiece in this sort of sound" - Brave Words (Canada) 9/10
bravewords.com/reviews/replicant-infinite-mortality

"a super technique that goes beyond the conventional paradigms of death metal" - Metal Addiction (Chile) 9.5/10
www.metal-addiction.cl/2024/02/15/replicant-infinite-mortality-album-review/

"a tremendous album" - Metallerium (Mexico) 9.2/10
www.metallerium.com/replicant-infinite-mortality-2024

"Few bands do it as well as Replicant" - Metal Temple (Greece) 9/10
metal-temple.com/review/replicant-infinite-mortality/

"Highly complex song structures, paired with force, brutality, darkness and groove" - Metal Only (Germany) 9/10
www.metal-only.de/info-center/reviews/show/136207-replicant-infinite-mortality.html

"Nobody out there sounds like Replicant, and Replicant is officially at the top of their game" - Noob Heavy (Australia)
noobheavy.com/album-review-replicant-infinite-mortality/

"an album that is demanding, idiosyncratic, exciting, technical, compact, dissonant and massive" - Zware Metalen (Netherlands) 90/100
zwaremetalen.com/albumrecensies/replicant-infinite-mortality

"Replicant, I apologize. I wasn’t familiar with your game" - Ghost Cult Magazine (UK) 9/10
ghostcultmag.com/album-review-replicant-infinite-mortality-transcending-obscurity-records/

Retumba (Spain) 8.9/10
www.youtube.com/watch?v=dhHCoeeh6Qc

"an absolute monster that deserves the accolades" - Man of Much Metal (UK) 86%
manofmuchmetal.net/replicant-infinite-mortality-album-review

"like plunging into a pool of dark sludge populated by deformed aggressive" - Acta Infernalis (France) 85/100
actainfernalis.com/2024/04/07/review-2158-replicant-infinite-mortality-english/

"unequivocally irresistible and impactful" - Nine Circles (US)
ninecircles.co/2024/04/11/album-review-replicant-infinite-mortality/

"You don't know what's coming next, but it is all good stuff" - Metal Crypt (Canada) 4/5
www.metalcrypt.com/pages/review.php?revid=15186

"carving out its own sound with more detail than ever before" - Metal Epidemic (UK) 4/5
www.metalepidemic.com/replicant-infinite-mortality/

"simply bewildering" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2024/02/12/replicant-infinite-mortality/

"Replicant are back, stronger than ever" - Wonderbox Metal (UK)
wonderboxmetal.com/2024/04/07/replicant-infinite-mortality-review/

"an album astonishing in its intensity, technical expertise and impact" Metal Italia (Italy) 8/10
metalitalia.com/album/replicant-infinite-mortality/

"can’t help but hit home runs in the world of dissonant death metal" - Noizze Webzine (UK) 8/10
www.noizze.co.uk/replicant-infinite-mortality-album-review/

"changing panoply of dissonant, devastating, and demented fretwork" - No Clean Singing (US)
www.nocleansinging.com/2024/01/30/an-ncs-video-premiere-replicant-orgasm-of-bereavement/

"definitely worth the (mis)step into the labyrinth" - Metal.de (Germany) 8/10
www.metal.de/reviews/replicant-infinite-mortality-527179/

"they're constantly on fire" - Hard Rock Info (Sweden)
www.hardrockinfo.com/reviews/2024/april.html#rep-infi

"they've taken their formula and pushed it further into the diabolical abyss of one's imagination" - Extreme Metal Maniac (US)
extrememetalmaniacblog.blogspot.com/2024/01/replicant-infinite-mortality-review.html



..::TRACK-LIST::..

1. Acid Mirror 06:37
2. Shrine to the Incomprehensible 05:59
3. Orgasm of Bereavement 03:31
4. Reciprocal Abandonment 06:03
5. SCN9A 01:01
6. Pain Enduring 04:50
7. Nekrotunnel 04:07
8. Dwelling on the Threshold 02:48
9. Planet of Skin 09:11



..::OBSADA::..

Mike Gonçalves - Vocals, Bass, Guitars
Pete Lloyd - Guitars, Synths, High-Frequency Transmissions
Itay Keren - Guitars, Vocals, Void Channels

Drums performed by James Applegate




https://www.youtube.com/watch?v=9P9KZdw71ck



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

After having smashed prevailing standards for the style with their unique approach on their highly lauded previous release, Replicant take things further still with their new full length, finding ways to make their music even more convoluted and impactful while retaining their trademark dissonant and catchy sound. They've found ways to add new aspects to it without hampering the momentum, constantly changing things up with the listener's body still lashing uncontrollably. The songs veer off in their own unexpected, thrilling directions while upholding the inherent semblance of groove, only to reconnect later with greater force. Things seem to add up and make sense as the album progresses, an ostensibly innocuous mechanical contraption getting constant upgrades to become potentially world-ending. There's fire in the songwriting, the members refusing to succumb to the lull of complacency and working furiously, constantly on the songs to elevate them to a rarefied category. It sees the stature of the band rising, the sound evolving methodically and convincingly, the album giving more than what could be expected from them having already established their identity, and in turn setting new standards for others yet again.

For fans of: Gorguts, Norse, Demilich, Negativa, Diskord, Wormed, Resin Tomb, Ulcerate, Terra Builder



PRESS:
"This is one of the best metal albums of the year, possibly of the decade" - Lambgoat (US)
lambgoat.com/albums/3326/replicant-infinite-mortality/

"The simple truth is that Replicant have me head over heels for Infinite Mortality" - Angry Metal Guy (US) 4.5/5
www.angrymetalguy.com/replicant-infinite-mortality-review/

"a high-energy death metal din that is absolutely cathartic" - Stereogum (US)
www.stereogum.com/2257361/van-jams-the-songs-that-metal-bands-blast-behind-the-wheel/columns/the-black-market/

"Every song is a tightly knit collection of wild ideas that puts the listener in a blender " - Last Rites (US)
yourlastrites.com/2024/04/10/replicant-infinite-mortality-review

"a masterpiece in this sort of sound" - Brave Words (Canada) 9/10
bravewords.com/reviews/replicant-infinite-mortality

"a super technique that goes beyond the conventional paradigms of death metal" - Metal Addiction (Chile) 9.5/10
www.metal-addiction.cl/2024/02/15/replicant-infinite-mortality-album-review/

"a tremendous album" - Metallerium (Mexico) 9.2/10
www.metallerium.com/replicant-infinite-mortality-2024

"Few bands do it as well as Replicant" - Metal Temple (Greece) 9/10
metal-temple.com/review/replicant-infinite-mortality/

"Highly complex song structures, paired with force, brutality, darkness and groove" - Metal Only (Germany) 9/10
www.metal-only.de/info-center/reviews/show/136207-replicant-infinite-mortality.html

"Nobody out there sounds like Replicant, and Replicant is officially at the top of their game" - Noob Heavy (Australia)
noobheavy.com/album-review-replicant-infinite-mortality/

"an album that is demanding, idiosyncratic, exciting, technical, compact, dissonant and massive" - Zware Metalen (Netherlands) 90/100
zwaremetalen.com/albumrecensies/replicant-infinite-mortality

"Replicant, I apologize. I wasn’t familiar with your game" - Ghost Cult Magazine (UK) 9/10
ghostcultmag.com/album-review-replicant-infinite-mortality-transcending-obscurity-records/

Retumba (Spain) 8.9/10
www.youtube.com/watch?v=dhHCoeeh6Qc

"an absolute monster that deserves the accolades" - Man of Much Metal (UK) 86%
manofmuchmetal.net/replicant-infinite-mortality-album-review

"like plunging into a pool of dark sludge populated by deformed aggressive" - Acta Infernalis (France) 85/100
actainfernalis.com/2024/04/07/review-2158-replicant-infinite-mortality-english/

"unequivocally irresistible and impactful" - Nine Circles (US)
ninecircles.co/2024/04/11/album-review-replicant-infinite-mortality/

"You don't know what's coming next, but it is all good stuff" - Metal Crypt (Canada) 4/5
www.metalcrypt.com/pages/review.php?revid=15186

"carving out its own sound with more detail than ever before" - Metal Epidemic (UK) 4/5
www.metalepidemic.com/replicant-infinite-mortality/

"simply bewildering" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2024/02/12/replicant-infinite-mortality/

"Replicant are back, stronger than ever" - Wonderbox Metal (UK)
wonderboxmetal.com/2024/04/07/replicant-infinite-mortality-review/

"an album astonishing in its intensity, technical expertise and impact" Metal Italia (Italy) 8/10
metalitalia.com/album/replicant-infinite-mortality/

"can’t help but hit home runs in the world of dissonant death metal" - Noizze Webzine (UK) 8/10
www.noizze.co.uk/replicant-infinite-mortality-album-review/

"changing panoply of dissonant, devastating, and demented fretwork" - No Clean Singing (US)
www.nocleansinging.com/2024/01/30/an-ncs-video-premiere-replicant-orgasm-of-bereavement/

"definitely worth the (mis)step into the labyrinth" - Metal.de (Germany) 8/10
www.metal.de/reviews/replicant-infinite-mortality-527179/

"they're constantly on fire" - Hard Rock Info (Sweden)
www.hardrockinfo.com/reviews/2024/april.html#rep-infi

"they've taken their formula and pushed it further into the diabolical abyss of one's imagination" - Extreme Metal Maniac (US)
extrememetalmaniacblog.blogspot.com/2024/01/replicant-infinite-mortality-review.html



..::TRACK-LIST::..

1. Acid Mirror 06:37
2. Shrine to the Incomprehensible 05:59
3. Orgasm of Bereavement 03:31
4. Reciprocal Abandonment 06:03
5. SCN9A 01:01
6. Pain Enduring 04:50
7. Nekrotunnel 04:07
8. Dwelling on the Threshold 02:48
9. Planet of Skin 09:11



..::OBSADA::..

Mike Gonçalves - Vocals, Bass, Guitars
Pete Lloyd - Guitars, Synths, High-Frequency Transmissions
Itay Keren - Guitars, Vocals, Void Channels

Drums performed by James Applegate




https://www.youtube.com/watch?v=9P9KZdw71ck



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Coiling tightly around like a vindictive colossal snake, asphyxiating and temporarily blinding with its slithering motion, the music of Saevus Finis has a specific result on the listener. Their music is immediately overpowering; rhythmically throbbing with chest-bursting heaviness, the pounding parts are alternated with angular, incisive riffing. Militaristic blasts give way to slower, time-manipulating music, emphasizing nothing but even more heaviness, as dissonant tunes augment the perplexing situation. Saevus Finis have mastered the art of combining the best elements to create dark, hypnotic and suffocating death metal with a menacing blackened edge that keeps drawing in the listener. Always intriguing, the music almost feels ritualistic, methodical and immersive, and impossible to escape. It finds a way to get inside your consciousness and remain with you. Physically compelling with its sheer heaviness and mentally disarming with its beguiling tunes, Saevus Finis have come up with an astounding debut assimilating the best influences where dark, arcane music of this kind goes.

For fans of: Immolation, Burial Hordes, Incantation, Morbid Angel, Viande, Maere


PRESS:
"while it is far too early for AOTY chat, this will surely ride high on my list throughout the year" - The Killchain (UK)
thoseonceloyal.wordpress.com/2024/01/09/review-saevus-finis-facilis-descensus-averno/

"If you took Immolation at its most angular and Gorguts at their most unpredictable, you’d get something close to this" - Decibel Magazine (US)
www.decibelmagazine.com/2024/01/12/five-for-friday-january-12-2024/

"terrifying dissonant black/death metal of varying flavours" - Angry Metal Guy (US)
www.angrymetalguy.com/saevus-finis-facilis-descensus-averno-review/

"commands instant respect... a stunning debut album" - Metal Temple (Greece) 9/10
metal-temple.com/review/saevus-finis-facilis-descensus-averno/

“a new force in dissonant death metal” - MetalBite (US)
metalbite.com/news/18885/mb-premiere-saevus-finis-overrun-by-pests

"enjoyers of the dark side of death metal can’t help but embrace Saevus Finis" - Dead Rhetoric (US) 8.5/10
deadrhetoric.com/reviews/saevus-finis-facilis-descensus-averno-transcending-obscurity/

"death metal that draws from twisted black metal as it does from the broader world of brutish dissonance" - Toilet ov Hell (US)
toiletovhell.com/track-premiere-saevus-finis-corporeal-malfeasent

"punishingly heavy and unnerving in the extreme" - No Clean Singing (US)
www.nocleansinging.com/2023/12/07/an-ncs-premiere-saevus-finis-aeons-of-spiritual-starvation/

"ability to synthesize the heights touched by the masters of extreme metal" - Metal.it (Italy) 8/10
metal.it/album.aspx/48685/29248/saevus-finis-facilis-descensus-averno/

"work of such a high caliber that both Immolation and Portal fans must open their eyes" - Heavy Metal (Denmark) 8/10
heavymetal.dk/anmeldelse/saevus-finis-facilis-descensus-averno

"a veritable mass of darkness" - Acta Infernalis (France) 80/100
actainfernalis.com/2024/01/10/review-2042-saevus-finis-facilis-descensus-averno-english/

"sure to leave an impact on your psyche" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2023/11/12/saevus-finis-facilis-descensus-averno/

"maintaining a continued world of darkness and destruction" - Ave Noctum (UK)
avenoctum.com/2024/01/09/saevus-finis-facilis-descensus-averno-transcending-obscurity/

"crafting an immersive musical experience that captivates listeners" - Moshville Times (UK)
www.moshville.co.uk/news/2023/10/discover-saevus-finis-a-unique-blend-of-heavy-dissonant-death-metal

"hugely potent and gripping atmosphere throughout" - Ghost Cult Magazine (UK)
ghostcultmag.com/album-review-saevus-finis-facilis-descensus-averno-transcending-obscurity-records

"a strong death metal release from a band that shows a lot of potential" Heavy Metal HQ (US)
heavymusichq.com/heavy-music-hq-reviews-week-of-january-12-2024/



..::TRACK-LIST::..

1. Scourge of Humanity 03:39
2. Aeons of Spiritual Starvation 04:05
3. Thou Hast Destroyed Thyself 03:35
4. Unfulfillment 04:15
5. Overrun by Pests 05:41
6. Corporeal Malfeasant 04:58
7. Those Who Aid and Abet 04:24
8. Corpse of Hope 03:36
9. Execration 00:42
10. Facilis Descensus Averno 04:57



..::OBSADA::..

Mortvorvm - Chants of torment and mortuary clamours
Sangvis Aestvs - Ripper of bones and flesh
MCMXII - Patterns of bodily destruction



https://www.youtube.com/watch?v=lXGzahFp-X8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Coiling tightly around like a vindictive colossal snake, asphyxiating and temporarily blinding with its slithering motion, the music of Saevus Finis has a specific result on the listener. Their music is immediately overpowering; rhythmically throbbing with chest-bursting heaviness, the pounding parts are alternated with angular, incisive riffing. Militaristic blasts give way to slower, time-manipulating music, emphasizing nothing but even more heaviness, as dissonant tunes augment the perplexing situation. Saevus Finis have mastered the art of combining the best elements to create dark, hypnotic and suffocating death metal with a menacing blackened edge that keeps drawing in the listener. Always intriguing, the music almost feels ritualistic, methodical and immersive, and impossible to escape. It finds a way to get inside your consciousness and remain with you. Physically compelling with its sheer heaviness and mentally disarming with its beguiling tunes, Saevus Finis have come up with an astounding debut assimilating the best influences where dark, arcane music of this kind goes.

For fans of: Immolation, Burial Hordes, Incantation, Morbid Angel, Viande, Maere


PRESS:
"while it is far too early for AOTY chat, this will surely ride high on my list throughout the year" - The Killchain (UK)
thoseonceloyal.wordpress.com/2024/01/09/review-saevus-finis-facilis-descensus-averno/

"If you took Immolation at its most angular and Gorguts at their most unpredictable, you’d get something close to this" - Decibel Magazine (US)
www.decibelmagazine.com/2024/01/12/five-for-friday-january-12-2024/

"terrifying dissonant black/death metal of varying flavours" - Angry Metal Guy (US)
www.angrymetalguy.com/saevus-finis-facilis-descensus-averno-review/

"commands instant respect... a stunning debut album" - Metal Temple (Greece) 9/10
metal-temple.com/review/saevus-finis-facilis-descensus-averno/

“a new force in dissonant death metal” - MetalBite (US)
metalbite.com/news/18885/mb-premiere-saevus-finis-overrun-by-pests

"enjoyers of the dark side of death metal can’t help but embrace Saevus Finis" - Dead Rhetoric (US) 8.5/10
deadrhetoric.com/reviews/saevus-finis-facilis-descensus-averno-transcending-obscurity/

"death metal that draws from twisted black metal as it does from the broader world of brutish dissonance" - Toilet ov Hell (US)
toiletovhell.com/track-premiere-saevus-finis-corporeal-malfeasent

"punishingly heavy and unnerving in the extreme" - No Clean Singing (US)
www.nocleansinging.com/2023/12/07/an-ncs-premiere-saevus-finis-aeons-of-spiritual-starvation/

"ability to synthesize the heights touched by the masters of extreme metal" - Metal.it (Italy) 8/10
metal.it/album.aspx/48685/29248/saevus-finis-facilis-descensus-averno/

"work of such a high caliber that both Immolation and Portal fans must open their eyes" - Heavy Metal (Denmark) 8/10
heavymetal.dk/anmeldelse/saevus-finis-facilis-descensus-averno

"a veritable mass of darkness" - Acta Infernalis (France) 80/100
actainfernalis.com/2024/01/10/review-2042-saevus-finis-facilis-descensus-averno-english/

"sure to leave an impact on your psyche" - Head-Banger Reviews (US)
headbangerreviews.wordpress.com/2023/11/12/saevus-finis-facilis-descensus-averno/

"maintaining a continued world of darkness and destruction" - Ave Noctum (UK)
avenoctum.com/2024/01/09/saevus-finis-facilis-descensus-averno-transcending-obscurity/

"crafting an immersive musical experience that captivates listeners" - Moshville Times (UK)
www.moshville.co.uk/news/2023/10/discover-saevus-finis-a-unique-blend-of-heavy-dissonant-death-metal

"hugely potent and gripping atmosphere throughout" - Ghost Cult Magazine (UK)
ghostcultmag.com/album-review-saevus-finis-facilis-descensus-averno-transcending-obscurity-records

"a strong death metal release from a band that shows a lot of potential" Heavy Metal HQ (US)
heavymusichq.com/heavy-music-hq-reviews-week-of-january-12-2024/



..::TRACK-LIST::..

1. Scourge of Humanity 03:39
2. Aeons of Spiritual Starvation 04:05
3. Thou Hast Destroyed Thyself 03:35
4. Unfulfillment 04:15
5. Overrun by Pests 05:41
6. Corporeal Malfeasant 04:58
7. Those Who Aid and Abet 04:24
8. Corpse of Hope 03:36
9. Execration 00:42
10. Facilis Descensus Averno 04:57



..::OBSADA::..

Mortvorvm - Chants of torment and mortuary clamours
Sangvis Aestvs - Ripper of bones and flesh
MCMXII - Patterns of bodily destruction



https://www.youtube.com/watch?v=lXGzahFp-X8



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Miażdżący ultra szybki i brutalny super techniczny grinding death metal z Północnej Karoliny w klimatach wczesnego DEEDS OF FLESH, DYING FETUS, DISAVOWED, DISGORGE (USA).

Czym takim charakteryzuje się death metal za oceanu? A tym, że wciąga jak bagno hehe!!! Tak, właśnie to jest to czego pragnę! Mam przed sobą wyjątkowo ciekawą pozycje, cechującą się niczym innym jak tylko ultra szybkim death metalem znanym pod szyldem Debodified. Nie ukrywam, że Debodified nic nowego nie odkrywa, w rzeczy samej gra bez wątpienia mega brutalny death metal, powodujący pożądaną rozkosz ciała i umysłu. Więc co więcej jest w nim takiego ciekawego? Otóż mili państwo przede wszystkim niczym nie okiełznana zwierzęcość. Tak się teraz gra na amerykańskich ziemiach, brutalnie, ciężko, bez ograniczeń!

Na „Utopia In The Eyes Of A Beast” rządzi zwierzęca agresja, bogata szorstka stylistyka zmieniająca się jak w kalejdoskopie. W sumie to szczególny nacisk przeszywa szarżująca brutalność z gdzie niegdzie wyczuwalnymi momentami słabości, która cechuje się mało znaczącymi zwolnieniami. Jednak cały krążek to istny huragan, ciężki, do bólu masywny, rozrywający sond miażdżący, sieka i rozpruwa. Nawet momentami jest bardzo melodyjnie, ale to jednak zasłona dymana dla rozkręcających się za chwilę chropowatych, ultra szybkich dźwięków. Jeszcze ten wokal wgniatający w podłogę wylewający z siebie świńskie charczenia, okrzyki zwierzęcia prowadzonego na rzęź. Debodified to pozycja bezapelacyjnie dla wytrwałych maniaków lubiących ból i cierpienie.

Kultura Industrialna


Kick-ass death metal from the tobacco-infested lands of the Carolinas! Boy, oh boy, after hearing Lust of Decay, I thought they were the best that the Carolinas had to offer, but I was wrong, folks. Lust of Decay is a pretty similar band to in sound, especially when you look at the fact that the two bands share drummer Jordan Varela. And my goodness is he a beast behind the kit, with tons of excellent fills, and they don't get monotonous at times like they do on LoD's Infesting The Exhumed.

This band has some heavy-ass riffs, a nice slam here and there (at around 1:58 on "Instinct For Malevolence" = Intimidatingly heavy/brutal), but the riffs wouldn't sound nearly as good if it weren't for the fills. The band has an intro with Adolf Hitler speaking at the beginning of "Terminated With Extreme Prejudice", and while I normally would look down upon this, I suck it up and again the music in all of its aggressiveness.

All in all, this a kick-ass brutal DM album with fast brutal drumming, some good breakdowns, a few leads, and above average vox. Highly recommended!

KD



..::TRACK-LIST::..

1. Reprieves for My Enemies 05:47
2. Instinct for Malevolence 04:20
3. Mass Extinction Agenda 03:10
4. Emission of Adrenaline 03:33
5. Uncompromised Extinction 02:59
6. Terminated with Prejudice 03:17
7. Embludgeoned Between Crunches 04:52
8. On This Killing Field 05:34



..::OBSADA::..

Jordan Varela - Vocals, Drums
Jarrod Starnes - Bass, Vocals (backing)
Chris Braunstein - Guitars




https://www.youtube.com/watch?v=Fy7JMepGYDU



SEED 15:00-22:00.
POLECAM!!!

...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...


..::OPIS::..

Miażdżący ultra szybki i brutalny super techniczny grinding death metal z Północnej Karoliny w klimatach wczesnego DEEDS OF FLESH, DYING FETUS, DISAVOWED, DISGORGE (USA).

Czym takim charakteryzuje się death metal za oceanu? A tym, że wciąga jak bagno hehe!!! Tak, właśnie to jest to czego pragnę! Mam przed sobą wyjątkowo ciekawą pozycje, cechującą się niczym innym jak tylko ultra szybkim death metalem znanym pod szyldem Debodified. Nie ukrywam, że Debodified nic nowego nie odkrywa, w rzeczy samej gra bez wątpienia mega brutalny death metal, powodujący pożądaną rozkosz ciała i umysłu. Więc co więcej jest w nim takiego ciekawego? Otóż mili państwo przede wszystkim niczym nie okiełznana zwierzęcość. Tak się teraz gra na amerykańskich ziemiach, brutalnie, ciężko, bez ograniczeń!

Na „Utopia In The Eyes Of A Beast” rządzi zwierzęca agresja, bogata szorstka stylistyka zmieniająca się jak w kalejdoskopie. W sumie to szczególny nacisk przeszywa szarżująca brutalność z gdzie niegdzie wyczuwalnymi momentami słabości, która cechuje się mało znaczącymi zwolnieniami. Jednak cały krążek to istny huragan, ciężki, do bólu masywny, rozrywający sond miażdżący, sieka i rozpruwa. Nawet momentami jest bardzo melodyjnie, ale to jednak zasłona dymana dla rozkręcających się za chwilę chropowatych, ultra szybkich dźwięków. Jeszcze ten wokal wgniatający w podłogę wylewający z siebie świńskie charczenia, okrzyki zwierzęcia prowadzonego na rzęź. Debodified to pozycja bezapelacyjnie dla wytrwałych maniaków lubiących ból i cierpienie.

Kultura Industrialna


Kick-ass death metal from the tobacco-infested lands of the Carolinas! Boy, oh boy, after hearing Lust of Decay, I thought they were the best that the Carolinas had to offer, but I was wrong, folks. Lust of Decay is a pretty similar band to in sound, especially when you look at the fact that the two bands share drummer Jordan Varela. And my goodness is he a beast behind the kit, with tons of excellent fills, and they don't get monotonous at times like they do on LoD's Infesting The Exhumed.

This band has some heavy-ass riffs, a nice slam here and there (at around 1:58 on "Instinct For Malevolence" = Intimidatingly heavy/brutal), but the riffs wouldn't sound nearly as good if it weren't for the fills. The band has an intro with Adolf Hitler speaking at the beginning of "Terminated With Extreme Prejudice", and while I normally would look down upon this, I suck it up and again the music in all of its aggressiveness.

All in all, this a kick-ass brutal DM album with fast brutal drumming, some good breakdowns, a few leads, and above average vox. Highly recommended!

KD



..::TRACK-LIST::..

1. Reprieves for My Enemies 05:47
2. Instinct for Malevolence 04:20
3. Mass Extinction Agenda 03:10
4. Emission of Adrenaline 03:33
5. Uncompromised Extinction 02:59
6. Terminated with Prejudice 03:17
7. Embludgeoned Between Crunches 04:52
8. On This Killing Field 05:34



..::OBSADA::..

Jordan Varela - Vocals, Drums
Jarrod Starnes - Bass, Vocals (backing)
Chris Braunstein - Guitars




https://www.youtube.com/watch?v=Fy7JMepGYDU



SEED 15:00-22:00.
POLECAM!!!